If two important works of Piero's survived the bombings during World War II, it was due to the efforts of art historians and restorers such as Ugo Procacci. In addition to the Resurrection, a wonderful painting of the Virgin Mary as she was expecting a child, "La Madonna del Parto" was saved and is now housed in the museum in Monterchi, Arezzo.

After filming Marco Polo in China, where they made lots of friends, they return to Italy to film Gli Occhiali d'Oro (English title: The Gold Rimmed Glasses). Many famous actors took part in that film, all of them beloved by Vera and Giuliano.

Inti, who was the 9-year-old grandson of Giuliano and Vera, went to see them as they were filming in China. They put him to work and the experience had a huge influence on him.

Rita Levi Montalcini talks about what, as a little girl, she wanted to be when she grew up. One of her main goals was to help women, especially ones from poor countries, become what they were meant to become.

Montaldo tells how the film about Marco Polo came about. It was shot on three different continents.

What works in the relationship between Vera and Giuliano is partly the fact that they complement each other, like yin and yang. They talk about a biographical movie they made about Giordano Bruno, a 16th-century Italian philosopher and cosmological theorist, with Gian Maria Volonté.

Giuliano and Vera talk a little bit about the music for the Sacco and Vanzetti film, as well as a serendipitous moment in NY connected with that. When the film came out it had success, especially with young people. Their outrage about the unfair trial led to the governor of Massachusetts recognizing the unfairness of their trial.

Giuliano and Vera were of one mind regarding respect for workers and fighting against intolerance. One episode that particularly struck Giuliano was the news from the United States involving Nicola Sacco and Bartolomeo Vanzetti, two Italian immigrants, and anarchists, who were unjustly arrested and condemned to the electric chair in 1927. Montaldo would go on to make a film about that story.

Take your time with this episode about Rome because it is chock full of information. Il Campidoglio, also called Monte Capitolino, is the smallest of the seven hills of Rome, but it's the most important because that's where the mayor's office is, as well. Where did the word "capitol" come from? Fulvio has the answer. He also talks about where the word "money" comes from. And you will recognize the name of the architect who designed the piazza and its surrounding buildings.

Giuliano and Vera talk about some of the colorful episodes in their time together on set. Vera tells about how Giuliano accepted her daughter, Elisabetta, from a previous relationship.

Fulvio shows tells us the story of a door, a very famous door, called the Alchemist's Door, also called the Magic Door, or the Door to Heaven, a monument built by Massimiliano Savelli Palombara, Marquis of Pietraforte on the grounds of his villa in Rome.

Giuliano tells about meeting Vera for the first time, and then he and Vera take turns telling about how their relationship developed.

Giuliano Montaldo tells about how he got his start, from being a ham actor in Genoa to becoming an assistant to film director Carlo Lizzani, to making his first movie.

The episode closes with one of Domenico Modugno's most famous songs, Tu si' 'na cosa grande (you are something great to me), as Mimmo muses about the present and the future.

Mimmo goes to Paris and hears some great music, but doesn't have much success with his songs. That leaves him little choice but to go to Canada. It's cold there! He keeps in touch with Franca during his travels.