This segment takes place in Pigneto, a Rome neighborhood, which hosts a "Mercatino del Pigneto," or flea market, where used items, collectibles, and crafts are sold. Here you'll find everything and at reasonable prices.

In this video, Antonio speaks in more detail about Praia's Madonna of the Cave. He shows us the rock where the ship's captain set down the wooden statue in the 14th century and he shows us the room where the statue is now housed.

Antonio is in Praia a Mare and talks to us about the cult of the Madonna della Grotta (Madonna of the Cave), patron saint of the city. The cult began in 1900, and every year in August the statue of the Madonna is carried in a procession, where many of the faithful take part.

This segment is about the film that was made of the Diabolik story. Not everyone was satisfied, including the Giussani sisters, but in those days, certain international standards had to be respected.

Over time, Diabolik gained new status. It became cool. Nowadays, whether you read comic books or not, you know who Diabolik is.

Some of the stories in Diabolik come from the outside, notably from readers. A few of them are recounted here. They often related to controversial topics in the news and in some cases, charges were pressed and copies of the comic book were seized and destroyed.

Diabolik isn't the work of one person, but rather the result of a group effort. Each contributor has a distinct role but they all have to come together, mindful of keeping the continuity from one episode to the next.

The artists talk about the process of designing the comics, and how the characters evolved in terms of design, over time, from designer to designer.

Over time, Diabolik's outfit and facemask are transformed. His nemesis is a police inspector with sound morals, an interesting past, and a fascinating love interest.

At the beginning, the Giussani sisters decided to hide their identities as women. Even so, it was not easy finding distribution. And there were other mysteries, as well, surrounding the early days of the iconic comic book, Diabolik.

The creators of Diabolik had commuters in mind. They wanted to create something engaging that one could read in the time of a commute, and which was pocket-sized. We also discover why the name Diabolik ends with a K.

Diabolik drives a Jaguar, but not an ordinary Jaguar. He is able to transform the car in order to facilitate escaping when the need arises. In a way, both Diabolik and his car wear masks and assume different identities.

This series begins with Diabolik, the greatest criminal of Italian comics or fumetti as they are called because of the "clouds of smoke" (speech bubbles) present in comic strips. Fumo means "smoke." In this segment, various personalities describe the character Diabolik, both the good and the bad.

Pasolini is asked what he thinks about progress and development. He is also asked about the inspiration he seems to have taken from subjects of the New Testament of the Bible.

Pasolini talks about how he moved from literature to cinema, and how his ideas about language changed. He talked about providing Italians with an opportunity to demonstrate racism, perhaps for the first time, with his movie, Accattone.