Tamara shows us the acrylic water-based paints that the family uses to decorate ornaments, frames, and masks, among other things.

Arianna goes to her job interview. How did she do? Should she have answered any questions differently? Are there some important questions she neglected to ask? Do you think she will get the job?

Marika, in response to Yabla user requests, begins her 3-part lesson on those pesky little words (Me plus lo, la, li, le, and ne, together with Ti plus lo, la, li, le, and ne), otherwise known as combined pronouns or double pronouns.

Adriano tells us about the famous southern Italian folk dance, la tarantella. He also tries dancing it himself.

Daniela highlights two verbs that do not call for the present subjunctive—the verbs vedere [to see] and sentire [to sense, to hear, to feel].

Mussolini forbade the use of dialects and the minority languages that were spoken in the regions bordering the countries to the north in favor of one language for all. Italians were bombarded by fascist propaganda and Mussolini's very frequent speeches.

Tamara shows us how she turns out made-to-order boxes and embossed greeting cards in her Rome shop. Polvere di Fata is the shop's name and it means both fairy dust and crafting glitter. Tamara owns it together with her twin sister Tania, and their mother Cinzia.

Arianna just got her Marketing degree and is looking for a job. Let's see how she goes about it.

Daniela provides a nice long list of the so-called perception verbs and expressions that always precede the present subjunctive.

Me Ne Frego [I don't give a damn], was one of the mottoes of Fascism, coming originally from the writings of Gabriele d'Annunzio and employed by storm troops during World War One as a war cry for courage and daring, with the meaning, "I don't mind dying for freedom." The motto gives the title to this documentary about the influences of Italian Fascism on the Italian language. It was produced by the Istituto Luce Cinecittà, with materials from the historical Luce archives, and narrates the obscure attempt by the Fascist regime to create a new and unique language, a new “Italian” that fit the dogma of the dictatorship.

Éric de Chassey, Director of the French Academy, details the mission of the institution.

Marika interviews Arianna Manetti, the professional voice-over artist and dubber who narrates the fairy tales featured on Yabla.

Adriano tells us about the book he decided to write when he turned thirty. It is a collection of stories, anecdotes, and experiences, and also contains photographs.

Daniela provides a list of verbs that always come before the subjunctive mood verbs. We'll see, however, that English doesn't follow the same rules.

The segment concentrates on two richly frescoed rooms that are set apart from the villa. Cardinal Ferdinando de' Medici used these secluded rooms for trysts.