After summing up about the passive voice, Daniela goes on to talk about some other related constructions. It's important to remember that the passive is formed with transitive verbs only. But when we don't have a named subject or agent, we have a few other ways to make a sentence passive-like. One way uses the famous particella (particle) si. Si is used for so many things in Italian that it is bound to create confusion for learners, even advanced learners. Don't worry, part 3 of the lesson will explain further. Another way uses the verb andare (to go) to indicate something that must be done. Here too, the stress is on the action, not the subject or agent.

What symptoms did Giuditta and Marino have? And how did they handle their family duties?

If you have ever visited Italy, you have probably run across the term pinacoteca describing a picture gallery, and wondered where it came from. You will find out in this video about a room called the "tablinum" in the Assisi domus, discovered because they wanted to build an elevator!

Marino and Giuditta tell us how they ended up getting Covid, and what their symptoms were.

Parking is a problem in medieval hilltop towns and cities (especially those attractive to tourists), so one solution is to build an elevator to get from parking further down the hill, up to the center of town. But, you never know what you are going to find when excavating. In Assisi, they certainly hit the jackpot, right in the center of town: A roman domus.

We're in Assisi, where, during some excavations, a domus was discovered. It's clear it belonged to a wealthy family because of the richness of the wall and floor decorations, and might even have been the home of the poet Propertius.

With a look at one of the greatest Etruscan masterpieces in the Villa Giulia museum, we take our leave of Rome to journey to the Umbrian city of Assisi, or, as it was called in Roman times, Assisium.

Horses are large animals, but they are delicate, too. Keeping them healthy and in good condition requires a series of essential measures of different kinds. Eleonora takes us through some of them.

The Etruscans were influenced by other ethnic groups, particularly the Greeks. On display in the National Etruscan Museum of Villa Giulia, we find evidence of this in the terracotta objects and fine gold jewelry and precious objects dating from the period.

Eleonora introduces us to her two horses. She tells the story of how they came to be part of her life.

We get a look at the tomb, in terracotta, of a noblewoman. The clay allows for detail, where tombs in Macco do not. We then go to Rome, to the most important Etruscan museum, where we see once again, what an important role the afterlife played in the lives (and deaths) of the Etruscans.

Eleonora tells us about how she combines her love for animals, especially horses, with a path to a career.

We're still in Tarquinia and we visit the tomb of Aninas. We gain some insight into the alphabet the Etruscans used, allowing us to recognize some names, but unfortunately, they didn't leave much in the way of writings to allow us to know much more.

This magnificent, colorful tomb, dating to twenty-five hundred years ago, depicts a banquet in honor of the deceased, who is clearly a young man. It's a virtual time capsule.

The Matuna family tomb contains many plaster reproductions of everyday objects, adding to the story of how the Etruscans lived. We move on to Tarquinia, where the tombs were carved out of a sedimentary limestone called Macco, allowing the colorful wall paintings to be preserved.