Rome's Coppedè Quarter is the focus of the segment. Its eclectic style is difficult to characterize, but the narrator talks of the liberty style, which stems from the Liberty department store in London. In English, we know this style by the French term, Art Nouveau.

The series on Umbria ends with amazing landscape shots of Castelluccio, including fields of poppies, cornflowers, and lentil flowers. Castelluccio's lentils are justly renowned.

The segment shows us some interiors in Coppedè's dream-inspired complex.

More dreamy interiors of the Coppedè complex and an introduction to the Keats–Shelley House in Piazza di Spagna.

The segment touches on Byron and Shelley, but is mostly about Keats and his time in Rome. It also includes part of a beautiful love letter to Fanny Brawne. The narrator speaks of Keats living on the second floor. The Italian way of counting stories is to call the first floor, the ground floor, and the numbering starts above.

The narrator reads some moving passages from the letters of John Keats and Fanny Brawne. Giacomo Leopardi, the Italian poet and near contemporary to Keats and Shelley, also lived in Piazza di Spagna.

We visit the cemetery where the English poets are buried, and learn about the relationship between the Tiber River and the city of Rome.

Rome's many bridges are the focus of this video, including the Ponte Rotto, which dates back to ancient Rome. Only part of the Ponte Rotto is still standing and this is why it is called rotto or broken. Rivers are masculine in Italian, and ancient Roman statues portray River Gods as recumbent elderly men with long beards.

The Abruzzo Region, sometimes known as the Abruzzi with an i in older publications, is the area of interest for this six-segment video. This segment concentrates on the Piccolomini Castle in Marsica.

The tour draws to a close in Rome's rougher neighborhoods, those that were particularly fascinating to poet and filmmaker Pier Paolo Pasolini.

Highlights include a church straddling the Romanesque and Gothic in Celano, and Massa d'Albe (the Roman city of Alba Fucens), where there is an amphitheater excavated from rock. The word arena comes from the Latin word harena, or sand. Sand was used on arena floors to catch the blood lost during gladiator games and the like.

The French government is privileged to have two of Rome's most beautiful properties: Palazzo Farnese, which they rent for a nominal fee and use as their embassy, and Villa Medici, which is the home of the French Academy, and was procured by Napoleon. The narrator speaks of how the land on which Villa Medici was built was highly appreciated by the ancient Romans.

The segment highlights two medieval churches near the ancient site of Alba Fucens. Both churches display ornamental facings made from pieces of colored marble that are intricately pieced together, what is known as Cosmatesque work.

The segment focuses on the reasons behind the founding of the French Academy by Louis XIV

Abruzzo churches built by order of Saint Francis of Assisi (1226–1330) or dedicated to him, are featured in this segment.