Buonconsiglio Castle in Beseno is the highlight of this segment. The castle boasts a frescoed cycle with scenes from the everyday life of farmers and nobles, circa 1400.

The final segment on the Alto Adige features the Tre Cime di Lavaredo, a UNESCO World Heritage Site. The series will continue with other Italian regions.

There are so many beautiful spots in Italy. Umbria is next on our list!

The 2016 opening ceremony of Salerno's Luci d'Artista, which in the captions is literally translated as Artists' Lights, but which is billed by the city as Salerno Christmas Lights. The ceremony mostly takes place in the Villa Comunale, Salerno's public garden.

This segment shows us the Abbey of Saints Felix and Maurus as well as Norcia, the birthplace of Saint Benedict. Little remains of the cathedral after the earthquake in 2016. Here are some photos of what has remained.

We're still in the area of the Nera river valley, and there are plenty more beautiful sights to see.

The Abbey of Saint Eutizio is featured in this segment. It was largely destroyed in the earthquake of October 31, 2016. Its reconstruction is in the planning stage.

The alternative tourism video starts by showing some of Rome's iconic sites, but will focus on less well-known quarters, such as the Salario-Trieste neighborhood in north Rome.

Cascia and Visso are explored in this segment. The narrator makes the point that Umbria is the land of saints, naming: Saints Francis, Clare, Benedict, and Rita.

Rome's Coppedè Quarter is the focus of the segment. Its eclectic style is difficult to characterize, but the narrator talks of the liberty style, which stems from the Liberty department store in London. In English, we know this style by the French term, Art Nouveau.

The series on Umbria ends with amazing landscape shots of Castelluccio, including fields of poppies, cornflowers, and lentil flowers. Castelluccio's lentils are justly renowned.

The segment shows us some interiors in Coppedè's dream-inspired complex.

More dreamy interiors of the Coppedè complex and an introduction to the Keats–Shelley House in Piazza di Spagna.

The segment touches on Byron and Shelley, but is mostly about Keats and his time in Rome. It also includes part of a beautiful love letter to Fanny Brawne. The narrator speaks of Keats living on the second floor. The Italian way of counting stories is to call the first floor, the ground floor, and the numbering starts above.

The narrator reads some moving passages from the letters of John Keats and Fanny Brawne. Giacomo Leopardi, the Italian poet and near contemporary to Keats and Shelley, also lived in Piazza di Spagna.