Margherita Hack spent some time in politics and was also an entrepreneur at times. But she had a lot of fun, too. On the panel with Camilleri, the author of the Montalbano stories, they all come out (in unison) with the famous introduction Montalbano sono (Montalbano, I am). Putting the verb at the end is typical of Sicily, where the story takes place. Otherwise, it would be Sono Montalbano (I'm Montalbano) or, on the phone, "This is Montalbano."

We discover that Margherita Hack was a devoted fan of the long-running TV series, Un posto al sole [a place in the sun]. She explains why. Francesca goes back to Trieste and meets up with Eda who talks about having lived in the same house with Margherita Hack.

In this segment, Margherita talks about her choice not to have children and also discusses her position regarding God. She can't prove he exists nor can she prove he doesn't.

Even though Aldo and Margherita were very different in many ways, they came together in their skepticism. Towards the end of her life, Margherita couldn't move around much, but her brain never stopped going.

Margherita left a legacy of progress, both scientific and social. Perhaps she is still looking down on us, since an asteroid was named after her: 8558 Hack.

A brief portrait of Fabiola Gianotti and the historic discovery of the Higgs boson at CERN, a fundamental particle for understanding the origin of matter and the universe.

Fabiola Gianotti retraces her childhood among nature, family and music: the mountain walks with her geologist father, her mother's love for Sicily and the piano, initially hated but fundamental for learning rigor and creativity. An intimate account that shows how science, art and culture have contributed to shaping the physicist she is today.

In this part, Fabiola Gianotti retraces a moment from her childhood when she discovers the world of entertainment between singing festivals and voice acting. She thus learns discipline and commits herself with passion without neglecting school.

A dive into memories of school years, between strikes, private schools, years of lead and friendships that left their mark. Between graduation grades, ski weeks, memorable quarrels and yellowed photos, the portrait of a group of very different girls takes shape, united by strong bonds, heated confrontations and that continuous need to prove something, especially to themselves.

Fabiola Gianotti here tells the story of how her passion for physics was born: from the influence of a great teacher and from reading Marie Curie's biography, to choosing physics as a fundamental discipline and arriving at CERN, experienced as an extraordinary place for scientific research.

Fabiola Gianotti describes CERN as a place of encounter, growth and international cooperation; a young and multicultural environment where science is experienced in a democratic way. The archival images celebrate the original spirit of CERN: an extraordinary adventure.

In the video Renzo Piano and Fabiola tell about CERN as a symbol of the cultural and scientific rebirth of the post-war period. Through personal memories and everyday dialogues, CERN emerges as a place of human and international encounter, founded on curiosity, peaceful collaboration and love for knowledge.

In this part, the encounter with physicist Fabiola Gianotti at CERN is retraced, highlighting her scientific talent, humanity and prominent role in international research. Between personal memories and reflections on theoretical and experimental physics, the importance of collaboration between the two fields emerges, recalled by the example of the discovery of the Higgs boson.

Fabiola and her colleagues retrace the long journey toward the discovery of the Higgs boson: from Peter Higgs' theoretical intuition to the difficult meetings at CERN, up to the realization of the Large Hadron Collider, initially considered almost impossible.

The physicists describe their amazement at the grandeur of the detector, a symbol of collective scientific effort that unites different cultures to understand the universe. A work compared to a cathedral, an expression of science as part of civilization's progress.