Sometimes the accompanist has to follow the soloist's musical intentions, but at other times, when the musician is not very experienced, the accompanist needs to guide the soloist and make the best of a potentially tricky musical situation. This depends on the musical and technical level of the soloist, as well as the experience and maturity of the accompanist.

Matteo tells us how fundamental it is to know the entire score, not just one's own part, in order to best interpret a piece. For him, music is above all education in listening: to the composer, to other musicians, and to oneself. Playing together thus becomes an experience of growth and mutual care, even before it becomes artistic.

Naples was chosen for the Earth Day Italy celebration. The choice had special meaning in light of the problems Naples has had in the past regarding waste management.

Massimiliano is a musician, and together with his friend Stefano, and the mascot Cuba, he's trying to introduce the group to record labels. In addition to talking about his dream, he talks about Garbatella, the neighborhood where he was born, and which he wants never to leave.

Maria Inglese, an Italo-German artist, sings a famous song by Lucio Dalla, dedicated to the Neapolitan opera singer Enrico Caruso. Even though the song uses ti voglio bene, the generally less romantic version of "I love you," it was likely meant romantically here, as Caruso had fallen in love with and married a younger woman shortly before his death.

A young man is departing by train and says goodbye to his two parents in different ways. In another scene, a little girl is going to school very reluctantly and her brother has to practically drag her there.

We meet a few of the musicians attending the conservatory and the orchestra conductor, who is no-nonsense and stern.

Matteo makes his way to his uncle's apartment. Never mind that his uncle was supposed to come to the station to get him... They agree that there is no point in worrying Matteo's father with the truth.

Matteo arrives late for class and is told, to sit next to Sara who begins asking him questions. It turns out she is almost blind. After the lesson, Matteo meets some of his classmates.

A teacher reads a passage from one of Shakespeare's sonnets and asks the class to interpret it. Matteo speaks up. Here is the original English: "Mark how one string, sweet husband to another,
Strikes each in each by mutual ordering;
Resembling sire and child and happy mother,
Who, all in one, one pleasing note do sing:
Whose speechless song being many, seeming one,
Sings this to thee: 'Thou single wilt prove none."

Matteo is having a violin lesson when Marioni passes by in the hall and hears him. Matteo's lesson ends early and he is about to learn more about the orchestra conductor everyone thinks of as il bastardo (the bastard).

Marioni puts Matteo to the test, asking him to play first violin in the Brahms symphony, together with the entire orchestra. Later, Domenico tells him about someone who had crumbled under Marioni's harsh treatment.

A colleague of Marioni's chides him for having treated Matteo as he did. He tries to justify his actions, and then goes to have a word with Rosario, a percussion student.

Matteo is at home with his uncle, doing a tricky jigsaw puzzle and ready for dinner. Even though it is clear to Matteo that his uncle is gay, his uncle is very uncomfortable talking about it. Matteo lets his uncle know that there is a girl he likes.

Barbara is practicing piano in the presence of her mother, who tries to encourage her. Little by little Barbara manages to focus on the music, and perhaps not only the music. Another pianist is playing the same piece in a music store. He might be there because he has no piano at home.