If you have never been tested for Covid-19, Giuditta and Marino give a good description of the process. And their youngest son had to be very brave.

It was a tough 72 days, but, as the title suggests, the family recovered, luckily. They think back on their time in isolation and what it felt like to come out the other side. Their story even made it into a local newspaper.

Ettore Della Giovanna, noted Italian journalist (1912-2004), interviews Giuseppe Ungaretti, considered one of the greatest poets of his time, besides having been a writer and scholar.

After thanking his host for his kind words, Ungaretti begins talking about his life. He gives a lot of credit to young people, first of all.

Ungaretti talks about how he got his start. He frequented a café in Paris, where artists and poets would gather.

Ungaretti mentions 2 poets who attracted him as a youth: Mallarmé and Leopardi. He talks about the famous poem Alla primavera, o delle favole antiche by Leopardi but gets the title wrong. You can see the entire poem (in Italian) here.

Raffaella Carrà, one of Italian television's most beloved entertainers, and known as the Queen of Italian TV, has died at the age of 78. Here she is in an interview with Fabio Fazio on Rai 3. Her blonde hair was her signature, as you will see when you watch the video. She was a legend. She sang, she danced, she hosted, and she interviewed. For many years, Italian families would watch her talk show Pronto Raffaella (Hello, Raffaella) at the noon hour, when school got out.

In this part of the interview, Raffaella Carrà tells about how her grandmother helped her become the queen of Italian television.

Raffaella tells some anecdotes about some big stars she had encountered during her career. She also gives us some details about a famous "telephone number" song, and the famous dance number, "Tuca tuca" that created a bit of scandal in the early seventies.

Fabio Fazio gives Raffaella Carrà a great sendoff, replete with majorettes and a legendary marching band from a Milan district.

A triple interview of 3 teenagers who answer some basic questions about themselves. Are there more similarities or differences among them? Let's find out.

The 3 highschool kids tell us more about their types of schools and the subjects they are taking. Two of them give younger students some advice.

The three highschoolers answer questions about what time they eat and go to bed, what they like or miss about where they live, and much more.

Rosalba lives in Pontedera and shows us her favorite park. There is a sculpture there that reminds her of a woman-cat.

Rosalba was a French teacher who has been retired for about a a year. She now spends her days writing stories and cultivating her passion for photography.

When one retires, it can free up time as well as one's mind, providing an opportunity to experiment and find out what is important. Armando, who worked as an architect before retirement, uses photography to explore the circle of life in nature.

Little by little, we discover Armando's fascination with oxidation. It seems to have started by looking at advertising billboards.

Armando tells us how the designs he is fascinated by come to be. It all has to do with billboards, and how they are marked up, torn, and over time, oxidized. The oxidation process is fascinating.

Journalist Annalena Benini introduces us to different writers from different places in Italy, beginning with Rome, where she interviews Chiara Gamberale, a novelist.

Armando begins describing the structure of his book, and talks about how he envisions a kind of journey, beginning in the far reaches of the universe, down to the tiny details of a flower.

Chiara Gamberale talks about how and where she writes, and how her life has changed now that she has a little girl.

In this segment, describing chapters 3 - 6, we can imagine storms, volcanoes, oceans, and mountains in Armando's photographs.

Chiara tells about how she realized she knew how to read, which then led her to begin writing. She wrote her first "novel" in second grade. Where she grew up, on the outskirts of Rome, influence her writing to a significant degree.

In chapter. 7, Armando describes how, to him, his images represent vegetation, woodlands, trees, and flowers.