Some things get better, some things stay the same, and some things get worse.

A great coach has to support his athletes through victories and losses. Sports are a mirror of life itself, where when you lose, you have to get back up. Two of the most popular words in this segment are dai, which literally means "give," but signifies "come on," "go on," "go for it," and vai, which means "go," "go for it."

The judo teacher comes back to the gym with a surprise, and everyone's mood improves, and what's more, they actually get to go to Rome!

There's a new girl in the judo class. And Enzo is looking for yet another job!

Enzo's judo club has been noticed by the local bosses, and Officer Russo tries to help the girl whose wallet had been stolen.

To reach a goal, you need to know how to deal with adversity. To walk on without fear. That's one thing you learn at Enzo's gym.

The Capuano family has plenty of worries, and Police Agent Russo has his hands full as well.

Enzo has his hands full with Sasà at the gym. And that's not all.

There are some special additions to the judo class today.

Nunzia knocks at Enzo's door asking him to help her with her son, Sasà. We get to see a bit more of Sasà's personality, and Toni's.

We're taken back to before the shots were fired at the Judo school. We get some background on the school and on Enzo's family.

Based on a true story, this film takes place in Scampia, a poor, crowded suburb just outside Naples. Having one of the highest rates of unemployment in Italy, the Camorra gets its way with many of the kids from this neighborhood, but Gianni also saves many kids by getting them involved in judo.

In this scene from the 1960 film He Who Stops Is Lost. Totò plays the part of Antonio Guardalvecchia, and attempts to court Giulia. She's the sister of the president, and he courts her in order to get a job in the head office. The scene on the balcony recalls Shakespeare’s Romeo and Juliet.

Imma attends Stella's burial at the cemetery and is struck by the writing on a wreath. She introduces herself to the woman who placed it on the gravesite and tries to find out a little more about Stella's life. She is also drawn to the ossuary or wall burial site bearing the name, Centino Latronico. We recall him as the man Imma suspects might have been her real father.

Imma talks to Stacchio again and finds a few more pieces to the puzzle. She also talks to the coroner to learn some details about Stella's death. She also has new information about a certain phone call.