Daniela covers the present subjunctive for the following verbs: avere [to have], andare [to go], fare [to do], and bere [to drink],

The segment focuses on Messalina, wife of the Emperor Claudius, who owned a villa on the site of Villa Medici. We catch a glimpse of tunnels and rooms beneath the villa, which were used by Ferdinando de' Medici to imprison Asian slaves when they weren't at work on a garden meant to evoke Mount Parnassus.

There's a strike going on in the factory, and some dirty dealings going on, too. Meanwhile Paolo, with Natoli's expert help, is doing what he can to figure things out.

Rubino and Sardi go to question Elena, Gabriele's ex-girlfriend, while Manara questions Elena's current boyfriend.

Besides working as a journalist, Francesca is involved in some international projects for sustainability. Here, she tells about a hospital in Gaza.

Here's a summer recipe that uses simple but good ingredients.

The sad occasion of a funeral is also a good place to observe the people who attend.

Minivip is once again outdone by his big brother. To make matters worse, the shrink finds a way of doubling Minivip's fee.

The tour of the Abruzzo Region concludes with sights near l'Aquila, the region's capital.

Lara and Luca have been skirting the marriage issue, but they do finally talk about it, albeit briefly. Meanwhile, they get some new information about the case.

Adriano is not only charming, he was able to teach his new Polish girlfriend how to speak Italian in just a few months, with a little help from Yabla.

Daniela homes in on the present subjunctive of the auxiliary verb essere [to be].

We get a look at the plaster casts of Roman and Greek statues in the French Academy's storage rooms, sculptures such as the Venus de Milo. Fellows have made use of these casts to draw inspiration for their own works.

The documentary comes to a close with an interview regarding a prison cell used during the Inquisition. The cell bears the graffiti of its inmates. Pitrè had laboriously uncovered the graffiti, but it was only rediscovered in the 1970s by the writer Leonardo Sciascia and the interviewee in this segment, Giuseppe Quatriglio, who used Pitrè's writing to find it.

Paolo clearly cares more about Natoli than his car, Manuela thinks Paolo is like the other bosses, and Natoli is becoming resigned to going back to his country. It's a mess.