The finals are approaching and Alice, Stefano, and Max record a video of the recipe they have chosen as an appetizer to send to Joy. The JAMS don't want Joy to feel alone and wonder what point there is of participating in the final competition without their friend.

The JAMS are a group of four and without Joy the finales make no sense. Alice, Stefano, and Max go to visit Joy to show her just how important their friendship is and to let her taste the cake they made.

The JAMS arrive at school in a rush, where the awards ceremony is already underway. Chef Borghese has just awarded the trophy but asks the winners if they would rather win by challenging the JAMS. Oscar, as captain, decides to continue the competition and they begin.

Chef Borghese begins to judge the dishes of the two teams, JAMS and The Best. It's a close contest and the kids are very nervous.

Chef Borghese tastes and carefully evaluates the main courses and goes on to the desserts, where he runs into some surprises. It is a very close race!

And finally Borghese announces the verdict. Which team will be the winner? JAMS or The Best?

This song by young indie/pop singer Joan Thiele explores fear, insecurity and self-sabotage, inviting us to defend our ideas and follow our instincts.

An animated video showing how the Juventus have won an amazing thirty-one championships.

When does an artist become an artist? Join Gualtiero Marchesi in his musings on art and the art of cooking in this new chapter.

In this segment, cooking is seen as an art form, starting with a white plate as the artist's canvas...

Some artists, including Gualtiero Marchesi, talk about the past: horse-drawn carts for delivering produce, artists exchanging news from abroad before the widespread use of telephones, tripe for breakfast, still-life paintings reflecting the food of the times and its preparation. There's even talk of the desire to eat paintings! Buon appetito!

Gualtiero Marchesi talks about the chef as an artist, and how different chefs can be recognized by their distinctive artistic styles. In defending the choice of simple, genuine food, he goes on to talk about the art of slicing, and how it used to be "performed" right in the dining room.

Is beauty in the eye of the beholder? That's what they say--but to Gualtiero Marchesi, that's not necessarily so. Sometimes beautiful is beautiful, period. As we've seen in other segments, cooking as an art form is a topic that's close to this chef's heart.

Art critic Gillo Dorfles talks about Milan in the fifties, sixties and seventies, and how, thanks to the war and to fascism, it developed as it did. Gualtiero Marchesi talks about the high standards of his cuisine, and some of the personalities who frequented his restaurant.

Eugenio Medagliani, expert on the world of Italian cuisine, talks about the days when Gualtiero Marchesi wasn't yet very well known, but refused to make pasta dishes. He describes a trip they made together through the desert from L.A. to Las Vegas where Gualtiero started getting inspired about pasta.