Alex has a conversation with her father, who hopes for a future for his daughter that will never actually happen. Meanwhile, Pisanelli is increasingly determined to catch the serial killer.

After the benediction, Ottavia stops outside the church to talk to a few of the parishioners. She learns a few new details about Don Michele. Back at headquarters, she does some research and shares the results with her colleagues.

Don Michele tells Lojacono and Di Nardo why he already knew Angela when he was in Caserta. The two shared a secret activity about which Lojacono wants to know more.

From the squad car, Romano sees something he wants to investigate and has his colleague pull over. Lojacono and Di Nardo go to see the victim's "Mami" to ask her some questions.

Aragona wants to see the blonde waitress again, and the opportunity is about to come up when his father arrives. Over drinks, Marco's father believes he's bringing good news to his son, who instead doesn't appreciate it.

Rome's Coppedè Quarter is the focus of the segment. Its eclectic style is difficult to characterize, but the narrator talks of the liberty style, which stems from the Liberty department store in London. In English, we know this style by the French term, Art Nouveau.

The segment shows us some interiors in Coppedè's dream-inspired complex.

More dreamy interiors of the Coppedè complex and an introduction to the Keats–Shelley House in Piazza di Spagna.

The segment touches on Byron and Shelley, but is mostly about Keats and his time in Rome. It also includes part of a beautiful love letter to Fanny Brawne. The narrator speaks of Keats living on the second floor. The Italian way of counting stories is to call the first floor, the ground floor, and the numbering starts above.

The narrator reads some moving passages from the letters of John Keats and Fanny Brawne. Giacomo Leopardi, the Italian poet and near contemporary to Keats and Shelley, also lived in Piazza di Spagna.

We visit the cemetery where the English poets are buried, and learn about the relationship between the Tiber River and the city of Rome.

Rome's many bridges are the focus of this video, including the Ponte Rotto, which dates back to ancient Rome. Only part of the Ponte Rotto is still standing and this is why it is called rotto or broken. Rivers are masculine in Italian, and ancient Roman statues portray River Gods as recumbent elderly men with long beards.

The tour draws to a close in Rome's rougher neighborhoods, those that were particularly fascinating to poet and filmmaker Pier Paolo Pasolini.

Manara and his team are still looking for the hit-and-run driver who killed the tramp, and investigating the vineyard owner's disappearance. Lara gives Manara a clue as to why she's still angry with him.

Manara makes an important and unexpected announcement to his colleagues, but gets interrupted by some disturbing news about the town psychic.