The green Bianchina is not in very good condition, beginning with the engine, where there are serious oil leaks. René Arnoux, in the driver's seat, discusses the dashboard with its buttons and lights.

Matteo seems fine but his father and uncle are worried about him. Marioni learns why Matteo is described as fragile and makes some decisions regarding the orchestra.

Gianluigi and Sergio Bonelli both wrote Tex stories, but they had different approaches, and their relationship was complex on a personal level. We learn about what inspired the images of the countryside where Tex and Carson would roam.

The friends are on the boat but they run out of gas. Who had the jerry can? Arguing ensues, but they are at sea...

Lojacono and DA Piras arrive at the scene of the crime and meet Don Michele. The next morning Lojacono goes with Di Nardo to talk to the kids who had been in the parish hall with the victim.

Imma had been dreaming and wakes up to a call from Don Mariano who wants to see her, urgently. But she has another emergency to deal with first.

Plenty of English words have snuck into the Italian vocabulary connected with AI. "Learning" is one of these terms and is a component of various categories of artificial intelligence. Marika explains it.

Reneé Arnoux tries out a Bianchina, and seems to like how it handles on the road. Carmine Sessa tells us a little bit about the history of the car.

Sofia goes up to the roof to practice her cello, but ends up singing a song (in English). When Maestro Marioni gets home from an amorous encounter, he watches a video where Matteo's previous violin teacher introduces him and explains his special situation.

It's fascinating to see where the idea of Tex Willer came from and how it evolved. We get to know the creators, Gianluigi Bonelli and Aurelio Galleppini (pen name Galep).

The friends are getting ready to leave, but it's still summer and someone gets the bright idea of going to the beach in a friend's boat.

Lojacono is on a video call with Marina, his daughter, and her friend Chanel, when he gets a phone call from headquarters and goes to a new crime scene, to see what's what.

Imma appears to be on the psychiatrist's couch, describing a dream, but the situation becomes more and more bizarre and we don't really know what's real and what isn't.

By now, we've all heard about artificial intelligence, but how to talk about it in Italian? Marika tells us what we need to know.

What stands out in this segment is the fact that the Bianchina was the iconic automobile in the beloved 1975 movie, Fantozzi.