De Carolis goes to police headquarters to give Manara some more information but Raimondi is there, too, and takes over. While at police headquarters, De Carolis gets a menacing phone call from the kidnappers.

The one time Toscani is on duty at night, it's also his turn with little baby Alice. Sardi and Toscani find a solution.

Early in the morning, Lara goes to wake Luca up to tell him what she finally remembered. It turns out to be of utmost importance.

The situation is tense. Lara and Luca are worried about Marta, but they don't want to blow her cover, nor injure her. At a certain point, Lara decides she can't wait any longer.

Natali's confession didn't help the case very much, and De Carolis has trouble staying calm. Meanwhile Lara has done some research, giving them some hope of finding the little girl.

Lara and Luca go to the convent in search of Clarissa. Later, Toscani has some new information for Luca.

De Carolis finishes telling his story. Marta leaves, as does Raimondi. Lara asks a big favor of Luca.

Lara's wedding with Guglielmo is about to start, but guess who is missing?

We're sorry to get to the end of this popular and exciting series. After this rollercoaster of a relationship between Lara and Luca, who knows how it will end?

The alternative tourism video starts by showing some of Rome's iconic sites, but will focus on less well-known quarters, such as the Salario-Trieste neighborhood in north Rome.

Rome's Coppedè Quarter is the focus of the segment. Its eclectic style is difficult to characterize, but the narrator talks of the liberty style, which stems from the Liberty department store in London. In English, we know this style by the French term, Art Nouveau.

The segment shows us some interiors in Coppedè's dream-inspired complex.

More dreamy interiors of the Coppedè complex and an introduction to the Keats–Shelley House in Piazza di Spagna.

The segment touches on Byron and Shelley, but is mostly about Keats and his time in Rome. It also includes part of a beautiful love letter to Fanny Brawne. The narrator speaks of Keats living on the second floor. The Italian way of counting stories is to call the first floor, the ground floor, and the numbering starts above.

The narrator reads some moving passages from the letters of John Keats and Fanny Brawne. Giacomo Leopardi, the Italian poet and near contemporary to Keats and Shelley, also lived in Piazza di Spagna.