Eleonora surprises Michele at the computer, where he shouldn't be. He is sure he will be leaving the Nest very soon and starts packing.

It is Michele's last night at the Nest (according to him), and he goes to say goodbye to some of the residents. Then he goes to dinner at his daughter's place so he can meet her new boyfriend.

Michele's daughter brings him coffee and he asks her for a favor. Later, at the assembly, the subject of pollution comes up and there is plenty of arguing.

Chiara goes to pick up Michele's jacket for him. At the Nest, there is an assembly to vote on Michele's proposal.

Mario has invited his friends from the co-op to lunch, where he tries to work out a deal with them to clean up the property. Eleonora sees Chiara putting something in her top drawer and is curious.

Having heard about the money from Chiara, Eleonora goes to see Michele to confront him on the issue. She feels he is leading Chiara astray.

Mario apologizes to the group and they decide to take up Michele's original solution, the night business. Iolde seems eager to develop romantic relations with Michele and comes on a little strong.

The two night workers take the cash and want to look around to take some measurements. Riccardo is shocked to see all the cash and asks Eleonora about it. Iolde is waiting for Michele, ready to have a glass of wine with him.

This documentary opens with some lines from a poem by Pier Paolo Pasolini, “10 giugno” from 1962. The famous filmmaker and poet talks about his life, beginning with his troubled relationship with his father.

Pasolini talks about his first book of poetry and what he realized about his country when it was published in 1942. He explains why reviewers wouldn't touch it.

Pasolini talks about the Italian language and how it has been transformed over the years.

Pasolini talks about how artists are always controversial. They are a living protest. His protest involves language and national identity.

Pasolini talks about how he moved from literature to cinema, and how his ideas about language changed. He talked about providing Italians with an opportunity to demonstrate racism, perhaps for the first time, with his movie, Accattone.

In this segment, we're on the set with Pasolini as he shouts directions to Totò through his megaphone, and at the same time discusses the shoot with his crew. Naturally, authenticity often means people speak over each other, so it's hard to understand what is said. Then, Pasolini is asked by a journalist about his views on neorealism and here, the speech is clearer (and interesting), so don't give up!

Pasolini is asked what he thinks about progress and development. He is also asked about the inspiration he seems to have taken from subjects of the New Testament of the Bible.