Malvina owns up to her actions regarding Charles Ferrant and his threats.

At the Cannes festival, Fellini talks about La Dolce Vita, as does Georges Simenon, president of the jury, who proclaimed its success by standing up and applauding.

The video weaves together Marchesi recounting a story about his first love when he was twelve, and a critic discussing Artusi and Marchesi's debt to popular cuisine.

Water, earth, fish, animals, rice: these were the fundamental elements of Italian cuisine in the pre-war and war years, elements that profoundly influenced the culinary creations of one of the most famous chefs in Italy, Gualtiero Marchesi.

Cione is allowed to go home after Lapo admits to the shooting. However, some aspects of the investigation, like the mysterious blood stain in the cellar, still don't square.

Ninetta is in prison, condemned to death, and things are looking very bleak, indeed. Don't worry though; in the end, love and justice win out, and everyone except the magistrate lives happily ever after.

While Cioni is questioned by Manara, Count Lapo returns on the scene. Unfortunately, his memory of what happened is very imperfect.

Fellini is at Cannes for the festival and screening of La Dolce Vita. He tells of his ironic encounters with unusual characters, who complain about the oddity of Fellini's movie characters.

Manara obtains a warrant and brings Cioni in for questioning. Cioni continues to deny any meeting with the Count. This become untenable when he's asked to consider that his fingerprints are on a glass in the Count's cellar.

Magpies [gazze ladre] in folklore are known to be attracted by shiny things. Rossini's opera La Gazza Ladra recounts the story of Ninetta, a servant girl. She is wrongly accused of stealing the silverware that the family magpie stole.

Manara and Lara go over the points of the case. Lara suggests getting a warrant for Cioni, the Count's difficult neighbor.

Federico Fellini discusses Marcello Mastroianni's role as "everyman" in La Dolce Vita. He encourages viewers to see Mastroianni's "passions, hopes, fears and cowardice, and anguish and sleaziness" as similar to their own.

Charles Ferrant's body has been discovered by a fisherman. The Count is still missing, and Lara's aunt wants a word with Malvina, the Count's housekeeper.

Pre-war and wartime cooking, when fuel for cooking was in short supply, made raw recipes come to the fore.

Violetta writes a letter of farewell to Alfredo. He is miserable, but hears of a party where he is sure to see her. But there, things go from bad to worse. Alfredo ends up having to live abroad, and Violetta's illness gets much worse. Will they ever be able to embrace each other again?