Imma attends Stella's burial at the cemetery and is struck by the writing on a wreath. She introduces herself to the woman who placed it on the gravesite and tries to find out a little more about Stella's life. She is also drawn to the ossuary or wall burial site bearing the name, Centino Latronico. We recall him as the man Imma suspects might have been her real father.

As the credits role in this final segment, we hear a song written and performed by Fabrizio De André (together with Massimo Bubola. Una storia sbagliata (a story all wrong) was commissioned for a 1980 TV show about Pasolini's death, called Dietro il processo (behind the trial). You can hear the entire song here, while here you'll find the complete lyrics in Italian.

After exchanging memories of Michele, the friends take the road back to Pisa, singing a song with very appropriate lyrics; Morirò in un'incidente stradale (I'll die in a car accident). The group that originally recorded the song is I Gatti Mezzi whose songs are in Pisan dialect or vernacolo (vernacular). See the complete lyrics. Back home, there is a phone call for Vincenzo that seems important.

Imma talks to Stacchio again and finds a few more pieces to the puzzle. She also talks to the coroner to learn some details about Stella's death. She also has new information about a certain phone call.

Pier Paolo Pasolini discusses the effects Fascism had on Italy. He talks about the city of Sabaudia, built by the fascist government on the reclaimed marshland of the ancient Pontine Marshes (Agro Pontino) and how later, what took hold was the culture of consumerism.

At the spot where the accident had occurred, the friends wonder how it could have happened since Michele was such a good, careful driver.

Imma goes to the land registry office in Ginosa to find out more about Palazzo De Nardis. She manages to obtain some information from the person in charge and goes to see Signora D'Avena.

Pasolini talks about the gates to the city of Orte. They may be simple, and built by unnamed men, but that doesn't mean they don't have value to protect. He moves on to talk about Sabaudia, a city built by the fascist regime, on reclaimed marshland, roughly halfway between Rome and Naples.

Despite the late hour, Vincenzo suggests going to see their friend Michele before they all go off to different destinations.

Imma interviews De Nardis who tells a good story, not that Matarazzo and Imma are totally convinced, however. And then they go to the bar and find out a bit more about their suspect.

Pasolini explains the difficulty of framing a city through the lens, only for it to be ruined by modern buildings that seem to have nothing to do with the form of the city itself. He wants anonymous, simple poetry to be preserved just like the works of Dante and Petrarca.

The group has to figure out the final accounts for the apartment, including some very expensive phone bills they wonder about. Later, they talk about the future and where they think they will end up.

Imma stops by to see her mother, who has been opening all the drawers, creating more work for Nikolaus, her caregiver. Imma and Matarazzo make the trip, on narrow mountain roads, to Ginosa, where De Nardis lives. He invites them in.

Still on the beach, Pasolini asks more people their opinions on divorce, which became legal in 1970. The second part of this segment is part of a 1969 episode of Processo alla tappa, a TV talk show devoted to the Giro d'Italia (the Tour of Italy), a famous, 21-stage bike race.

As they make pasta with whatever scraps of food are left in the fridge, the group discusses Ilaria's predicament, which turns out to be worse than they imagined.