Giuditta sings a song about a beautiful turtle. The song tells about how the turtle ended up being such a slow animal.

The "Ninna nanna del chicco di caffè" [Coffee Bean Lullaby] was first performed at a musical festival devoted children's songs, the Zecchino d'Oro, in 1970. It is still sung today by many Italian mothers to lull their babies to sleep.

Adriano tells us about the famous southern Italian folk dance, la tarantella. He also tries dancing it himself.

Serena finishes showing us the music store by guiding us through the guitar section, as well as the section dedicated to the instruments of the orchestra. She closes by a quick visit to the sheet music department.

Serena takes us to another part of the music store. This time she shows us the percussion instruments.

Serena takes you to a music store in Rome. The first instrument she shows us is the piano.

In this second and final segment of La Bohème, Anna, as Lucia, goes on to tell us about her life. What will become of her?

Anna takes us to Paris, to a cold, dark attic room where she tells the beginning of the tragic but very romantic story of La Bohème.

Our Maratea friends sing two very famous songs, by two equally famous singers, which continue to be sung by successive generations. We're talking about "Azzurro" [Blue] by Adriano Celentano and "L'italiano" [The Italian] by Toto Cutugno. Have fun listening!

Ezio Lottieri, a lover of music and especially the Rolling Stones, always carries his harmonica with him. In this video he tells about his experience at the Dedalo Festival 2009, where he met the well-known artists Davide Ravera and Patrizia Ferrarini. Ezio performed various songs with these two artists at the Festival in Caltabellotta.

Ezio recalls that Davide, a well-known artist, asked him to join him in playing a song at a festival. Davide had written the piece and it's called "Road to Hell." Obviously Ezio accepted.

Maestro Marioni asks Matteo what he wants to do with his life in music and is not satisfied with the answer he receives. almost yelling, Marioni urges Matteo to do more than merely give it a try.

Outside school, Sara meets up with Gigi her boyfriend. She has taken Matteo with her to have some company, since the discussion isn't going to be pleasant. As they go back into the building, Maestro Marioni appears, looking for Matteo.

A chaotic day in Italian class: Amid grammatical difficulties, unexpected incidents, and group dynamics, tensions, irony, and solidarity intertwine among students and teachers.

Matteo seems fine but his father and uncle are worried about him. Marioni learns why Matteo is described as fragile and makes some decisions regarding the orchestra.