It turns out Lenni's will contains some surprises. Someone important is excluded completely and another person, quite unexpectedly, is included. Meanwhile, Caterina is puzzled by Doctor Masini's behaviour the day of Lenni's death.

Manara visits the dead professor's daughter and it becomes ever clearer to Manara that the mother's alibi won't hold.

Lara Rubino visits Lenni's villa and finds that his wife has broken in. Manara uses his considerable charm on a vet.

The autopsy shows that the victim couldn't have pulled the trigger, but Manara's boss insists on suicide. Manara and his team have other ideas.

In this second and final segment of La Bohème, Anna, as Lucia, goes on to tell us about her life. What will become of her?

From the gardener, Michele, we learn that the dead professor was not well liked. Rubino lets us know about her soured friendship with Manara at the police academy.

Manara arrives at his hotel, and the clerk is curt with him until she learns he's the new commissioner. Manara and the deceased are the topics discussed by Rubino and her aunt.

Rubino, the new inspector, can't stand being in the same room with Manara. And when he doesn't even remember why, she really gets angry. But then they get some interesting news from the morgue...

Anna takes us to Paris, to a cold, dark attic room where she tells the beginning of the tragic but very romantic story of La Bohème.

Commissioner Manara meets up with Lara Rubino, his old classmate from the police academy. She's less than happy to see him and slaps him right across the face.