Most of us have dealt with custodians at one time or another. They’re the ones who take care of a place, like a school, church, or museum. And while custode is a good bet for the equivalent of any kind of “guardian,” there are other words that are more specific.
When referring to someone as a “custodian,” Italians often do use il custode, especially in the realm of museums and such places, and may even use custode to refer to the more prestigious role of “curator.” The curator of a museum is often called il direttore. In the following example, it’s impossible to know the professional level of the custode in question.
Il custode del museo mi mostra due carrozze
The curator of the museum shows me two carriages,
restaurate di recente...
recently restored...
Caption 27, Dottor Pitrè - e le sue storie - Part 1
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In referring to custodians, Italian also uses il guardiano (the guardian), or in schools, ilbidello or la bidella (the janitor) in addition to custode. In a Catholic church, on the other hand, a word similar to “sexton” or “sacristan” is used: il sagrestano or il sacrestano.
“Custody” in English often refers to divorce settlements. But when a parent is given custody of a child, then Italian employs l’affidamento, from the verb affidare (to entrust).
Suspects or criminals can be “taken into custody.” In this case, detenere is the verb meaning “to take into custody.” Once taken into custody they’re in detenzione. A prisoner is also known as un detenuto. “Detention” at school, after all, is a form of punishment, and “imprisons” the student after school hours.
So, we need only stretch our imagination very slightly to understand what custodire means.
In this week’s episode about Giuseppe Pitrè and Sicilian traditions, a couple of variations of custodire are used. Custodire is often used to refer to conserving or taking care of something. In Pitrè’s case, we’re talking about stories and traditions.
Il modo migliore di custodire la tradizione
The best way to preserve tradition
è quello di saperla adattare continuamente.
is to know how to adapt it, continually.
Caption 26, Dottor Pitrè - e le sue storie - Part 6
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Il dato positivo di Pitrè è che, in fondo,
The positive fact about Pitrè is that, deep down,
ama questo popolo a cui dà voce,
he loves this populace to which he gives a voice,
da cui raccoglie racconti, testimonianze
whose stories and remembrances he gathers,
e in qualche modo le vuole custodire,
and somehow he wants to conserve them,
le vuole salvaguardare.
he wants to safeguard them.
Captions 30-32, Dottor Pitrè - e le sue storie - Part 6
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The person who does the conserving can be called il custode (the custodian), as in the following example.
Ora, credo che Pitrè sia uno dei custodi della tradizione.
Now, I believe that Pitrè is one of the custodians of the tradition.
Caption 23, Dottor Pitrè - e le sue storie - Part 6
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We can talk about conserving physical objects, too. Custodire is a verb often used in conjunction with works of art in museums, castles, and churches.
Nell'Auditorium comunale di Norcia,
In the Municipal Auditorium of Norcia,
... è custodita, invece, la bellissima pala d'altare.
... is housed, instead, the very beautiful altarpiece.
Captions 12-14, Itinerari Della Bellezza - Umbria
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Someone who owns a musical instrument, or some other kind of precious or fragile object, will usually keep it in una custodia (a case).
Custodire and “custody,” with their various derivatives, stem from the Latin custos, meaning “the guard.” So it all makes a certain amount of sense, doesn’t it?
It’s interesting how a word in Latin or other ancient language evolves to mean different things in different languages. Finding the connections can be fun, all the time remembering that there may be a few false friends waiting around the corner.
Some of you may already have begun experimenting with the new Scribe game. Although Italian is relatively easy to pronounce and spell, there are a few typical stumbling blocks. Let's talk about one in particular.
Let's say you are playing Scribe. You feel like you've have written all the words correctly but the game doesn't let you go on to the next caption. It can be quite frustrating.
This often happens because you have neglected to insert an accent.
In English, we are not used to writing accents, but in Italian, it’s something we have to pay attention to whether we're playing Scribe or not. Be patient with yourselves. It's just something you have to learn little by little.
So where do we usually find these accents? If we know a bit more about them, we can be prepared for them in the Scribe game and elsewhere, so let's have a look.
Perhaps the most frequent error is the accent on the i of sì (yes). It certainly sounds about the same with or without the accent, and it’s not always easy to see. But if we omit the accent when writing, we can mean any number of other things, from the note si (B), to the personal pronoun si (himself/herself/itself). In the following example, the si with no accent is part of the reflexive verb allontanarsi (to leave).
Sì, non era la prima volta che
Yes, it wasn't the first time that
Giada si allontanava di casa senza avvertirmi.
Giada left home without letting me know.
Caption 49, Il Commissario Manara - S1EP10 - Un morto di troppo
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In two-syllable words, the accent usually falls on the first syllable, so when that is not the case, there will generally be an accent on the second syllable to let us know.
Let’s take the word però (however, but). The accent is there to signal that the accent falls on the second syllable, a departure from the basic rule about accenting the first syllable. The accented version of the word però is the one you’ll usually see because it’s such a common word.
Sembra banale, però mi aiuta.
It seems banal, but it helps me.
Caption 35, Amiche - Filosofie
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Però is one word you’ll use often in casual conversation. And with that long ò at the end, you can buy yourself some time while thinking of what to say next.
Without the accent, we’re talking about un pero (a pear tree)! Note that names of fruit trees frequently end in o (with no accent) whereas the fruit itself ends in a, like la pera (the pear), la mela (the apple), la ciliegia' (the cherry). A proposito (speaking of which), Marika explains this here and here.
We also have to pay attention to which way an accent is facing, but fortunately, this applies primarily to accents on “e.” On “o,” “ a,” “i,” and “u,” the accent is almost always “grave,” meaning down-facing from left to right. One of the most basic accents to remember is the grave accent on è, the third person conjugation of the basic verb essere (to be). This particular conjugation is extremely common, but for foreign ears, can easily be confused with e with no accent. Hearing and pronouncing the difference between e (and) and è (to be) is one thing, but writing it is another, so Scribe is a great chance to assimilate this aspect of Italian spelling.
Another important word that has an accent is perché (because, why). This is an acute or upward facing accent from left to right, which indicates a closed e. However you pronounce the é in perché, people will usually understand you, but if you’re writing, you need to get it right. Think of perché in its question form: why. The accent goes up (to the right), just like the inflection of a question.
The other place accents crop up is in the future tense. There will usually be an accent on the last vowel of the word in the first and third person singular. Let’s look at the irregular but very common verb venire (to come).
lui/lei verrà (he/she/it will come)
io verrò (I will come)
the verb andare (to go):
io andrò (I will go)
lui/lei andrà (he/she/it will go)
And essere (to be):
io sarò (I will be)
lui/lei sarà (he/she/it will be)
Be on the lookout for these accents when playing Scribe and when watching videos in general. You'll start to recognize them and become more comfortable with them sooner than you think.
See part 2 of this lesson here.
Even though Marika has talked about the particles ne and ci in her video lessons, actually using them in conversation takes some practice. Let’s have a quick look at a few examples in this week’s episode of Commissario Manara.
We often don’t even hear these particles, because we aren’t looking for them. In English, equivalents for them are often superfluous.
This one little word ne represents a preposition plus an indirect object. In the following example, Lara could have said much the same thing leaving out the ne, but using it is more precise. It’s the difference between “I’m sure” and “I’m sure of it.” But in Italian, the particle goes before the verb, as if it were “of it I’m sure.”
Comunque ne sono sicura, non si è uccisa.
Anyway, I'm sure of it. She didn't kill herself.
Caption 4, Il Commissario Manara - S1EP12 - Le verità nascoste
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In the following example, we have ci in the first part, which represents "on the furniture" and then, ce ne. Ce represents “there (on the furniture)” and ne represents “of them” (the prints). Remember that when we have a direct object together with the indirect object ci, the ci changes to ce!
Se lei ci fosse salita sopra, sarebbero rimaste le impronte
If she had climbed up on it, the prints would have remained,
e invece non ce ne sono.
but there aren't any [of them].
Captions 8-9, Il Commissario Manara - S1EP12 - Le verità nascoste
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In the following example, ci represents a noi (to us).
Senti, prima ho trovato il diario di Iolanda.
Listen, earlier I found Iolanda's diary.
Forse può esserci utile.
Maybe it could be useful to us.
Captions 17-18, Il Commissario Manara - S1EP12 - Le verità nascoste
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Ci is complicated. It means different things in different contexts. So we will keep on talking about ci.
Practice:
The new Yabla feature, Scribe, is not just a game, even though you'll find it in the "Games" tab (orange button) in the lower right-hand corner of the Player video window. Playing Scribe can be a big help in getting accustomed to particles like ne and ci/ce, because in Scribe we have to try to write down what we hear. And once we start hearing these particles, it will be easier to start using them and putting them in the right place. Stay on the lookout for further information about how to make the most of Scribe to boost your Italian comprehension and spelling skills. Meanwhile, perché non farci un giro (why not give it a whirl)?
Daniela’s lesson this week explains how to form the conditional with verbs ending in “-are.” But endings notwithstanding, the first person plural of verbs will always have a single “m” in the future, and a double “m” in the conditional. So, aside from learning the conjugations, it’s important, as Daniela mentions, to be able to distinguish between -emo, and -emmo. Let’s focus for a moment on the first person plural of the future and the conditional. It’s a good chance to practice double “m’s.”
Here’s the future tense of potere (to be able to) and riuscire (to manage to), with one “m.” The narrator is about to show us some film clips, so it’s a sure thing.
In una serie di filmati, eh, nella... [sic] nel tempo di una pausa caffè,
In a series of film segments, uh, in the... in the time of a coffee break,
potremo vedere alcuni eh castelli, alcuni anfiteatri,
we'll be able to see some uh castles, some amphitheaters,
alcuni templi, della regione della Campania.
some temples, of the region of Campania.
In questo modo appunto riusciremo a parlare di tutte [sic] questi siti archeologici.
That way, we'll be able to talk about all of these archaeological sites.
Captions 9-12, Escursioni Campane - Castello Normanno
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In the following example, we find the conditional, so in this case there are two “m’s.” Can you hear them? Try practicing the difference between potremo and potremmo!
Se ti invito a cena questa sera potremmo leggerli tutti.
If I invite you for supper tonight we could read all of them.
Caption 74, Il Commissario Manara - S1EP1 - Un delitto perfetto
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Let’s look at some more examples. Try rolling them around on your tongue, making sure that the double “m” sits there a moment before pronouncing the “o.”
In the next examples, the meaning is clear. The autopsy is going to take place, so they will find out what they need to know. They use the future.
Se ci sono altre cose lo scopriremo dopo l'autopsia.
If there are other things, we'll find out after the autopsy.
-Qualcosa la sappiamo già adesso.
-We already know something right now.
Captions 20-21, Il Commissario Manara - S1EP4 - Le Lettere Di Leopardi
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In the following example, chef Gualtiero Marchesi uses se (if) plus the subjunctive in one clause, and the conditional in the other. This is a classic combination.
Noi finiamo sempre con l'aggiungere delle cose che saranno anche buone,
We always end up adding things that may well be good,
ma se provassimo a [sic] approcciare il prodotto per il prodotto,
but if we tried approaching a product for the product itself,
credo che scopriremmo un mondo nuovo.
I think we'd discover a new world.
Captions 21-23, L'arte della cucina - Terre d'Acqua
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For more about the conditional and subjunctive together see this lesson.
To hear more words in the future and conditional, look them up on a conjugation chart, at WordReference, for example, and then do a Yabla search of the conjugation you want to examine, so you can hear the verbs in context pronounced by Italians.
English speakers think of school when they hear the word “education.” But educazione in Italian usually means something a bit different. Check out what Italian words correspond to the English “education.” Istruzione is a common one. This sounds like “instruction,” so we can understand it well enough, although we usually think of instruction as in “instructions” for how to do something. Titolo di studio is another one. This is about what diplomas or degrees you have. Formazione is another. This refers to what one has been trained in. Gli studi corresponds to “studies,” and refers to the schools one has attended, and what someone has majored in, but English speakers can easily forget that educazione is more about upbringing, and teaching one’s children (or pets) to behave, than about going to school.
Here are some reminders from Yabla videos.
If you’ve been following La Tempesta, you know that Paolo, a Venetian unemployed wealthy factory-owner’s son has suddenly taken on, against his will, responsibility for his brother’s adopted son, an orphan from Russia. They are both having a rough time of it. The following comment (from this week’s new video) is from a meeting with the school principal after the kid got in a fight. They are not talking about book learning here.
Ma prima di metterlo in classe con i bambini normali,
But before putting him in a class with normal children,
bisognerebbe educarlo.
one should teach him some manners.
Captions 10-11, La Tempesta - film
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In the following example, we’re talking about a dog. For Caterina, the dog is part of the family so she talks about him as if he were a person (with bad manners).
Sempre in giro a ficcanasare questo cagnazzo...
Always snooping around this old dog...
Lo devi scusare Malvina, è un gran maleducato...
You have to excuse him Malvina, he's really ill-mannered...
Captions 49-50, Il Commissario Manara - S1EP2 - Vendemmia tardiva
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In the following example, Manara has called his boss in the middle of the night for something he thought was molto importante and urgente. His boss didn’t appreciate it per niente (at all)!
Non si azzardi più a chiamarmi a quest'ora, maleducato!
Don't you dare call me again at this hour, how rude!
Caption 69, Il Commissario Manara - S1EP5 - Il Raggio Verde
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In actual fact, his boss uses maleducato as a noun, as is common in Italian. Indeed, it’s a common insult to somebody who is not being polite. It implies that the person was brought up badly—maleducato—and therefore has no manners. The adjective “rude” in English gives the idea. “Disrespectful” could have worked, too.
P.S.
Male (evil, badly) is often used as a prefix, lending its "badness" to other words. It’s often truncated to mal. Male is both a noun and an adverb. Technically the adjective form is malo, as in: ha reagito in malo modo (he reacted in a bad way). But colloquially, people do say non è male to mean something’s not bad, even though male isn’t an adjective. A correct way to describe something as "not bad," would be with malvagio (wicked). These days, malvagio is usually used in the negative, to say “not bad,” in talking about something you’re eating or drinking, for example:
Non è malvagio questo vino (this wine isn't bad = it's drinkable).
Or a movie you’ve seen:
Quel film non era malvagio (that movie wasn't so bad).
Maledire (to curse someone, to wish someone ill)
Maldestro (maladroit, clumsy)
There are plenty more words with mal where these come from. Take out your dizionario!
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To form a sentence, we need a subject and a verb. For the moment, let’s stick to the most normal kinds of subjects: nouns and pronouns.
At the beginning of the following example, it’s fairly easy to find the subject and verb:
Dixi uscì di casa leggero più di una piuma leggera,
Dixi left the house, lighter than a light feather
perché non aveva ancora fatto merenda.
because he had not yet had a snack.
Captions 3-4, Dixieland - Il singhiozzo
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If we look at the second part of the sentence, however, we see the verb avere (to have) in its simple past tense aveva (had). But where is the equivalent of the pronoun “he” that we see in the English translation?
That’s one of the tricky things about learning Italian. The pronoun is included in the verb.
It can be hard to find the subject if we can't see it! How can we tell what the pronoun would be if we can’t see it? Conjugation tables help in finding out what person the verb is expressed in but we also have to get used to the fact that we "get" more than we "see."
Here are a few examples of how this works:
Ho (I have)
Hai (you have)
Ha (he, she, it has)
Abbiamo (we have)
Avete (you [plural] have)
Hanno (they have)
We can’t always know if the implied pronoun is masculine or feminine, because “he” and “she” have the same conjugation. We have to rely on previous information in the sentence or paragraph to know more precisely which it is. In the example above, the subject is Dixi, the flying elephant, who, for our purposes, is a male. Since we’ve already mentioned him by name at the beginning of the sentence, we don’t need to repeat it. Aveva means “he had.” But we could also say:
Dixi non aveva ancora fatto merenda (Dixi had not yet had a snack).
So, the verb is identical whether the noun is present or not. The noun will only be repeated if we want to emphasize that it’s Dixi, and not someone else.
By the same token, if we wanted to include a pronoun, we could. If we needed to stress “he,” we could say:
Lui non aveva ancora fatto merenda (he had not yet had a snack).
If Dixi were a female, we’d say:
Lei non aveva ancora fatto merenda (she had not yet had a snack).
So aveva could mean “he had,” “she had,” “it had,” or just “had.”
In the present tense, it can be tricky to perceive or use the verb avere (to have) or essere (to be) in the third person singular because they’re both such short words, and not only that: Ha (has, he has, she has, it has) is written with an H but that H is silent! So what are we left with? A lonely “Ah” sound. È (is, he is, she is, it is) is short, too, and you need to be careful to use an open “E.” Otherwise, without the grave accent, it means “and.”
So not only do these two verbs go by quickly, but the pronoun “he,” “she,” or “it” may also be hidden within it!
In the following example, we see that the subject of the paragraph is Villa Borghese. Once it has been mentioned by name, we don’t need to repeat it, as long as no other word gets in the way to cause confusion. We use a pronoun, just as we would in English, but it’s important to remember that in Italian, the pronoun is included in the verb itself, so we don’t see it. The second sentence uses the verb essere in the third person singular, and the third sentence uses avere in the third person singular.
Villa Borghese è un grandissimo parco.
Villa Borghese is a very large park.
È il più grande di Roma dopo
It's the biggest park of Rome after
Villa Doria Pamphilj e dopo Villa Ada.
Villa Doria Pamphilj and after Villa Ada.
Ha nove ingressi. Tutti diversi naturalmente.
It has nine entrances. All different obviously.
Captions 3-6, Anna presenta - Villa Borghese
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In one of Daniela’s recent lessons, she covers an important modo di dire (figure of speech): stare per (to be about to).
Sto per cadere (I'm about to fall).
But let’s also take a closer look at the verb stare (to be). It’s so similar to essere (to be) and translates much the same way, but if we think of the word “state,” as in “the state of things,” so close in spelling to stare, it might help us see what this verb is about.
The state can be physical—how someone looks:
Anche tu, stai proprio bene.
You look really good, too.
-Grazie... però tu hai un volto molto riposato e...
-Thanks... but you have a very rested face [you look rested] and...
Captions 3-4, Anna e Marika - Villa Torlonia - La Casina delle Civette
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Come sto con questo vestito?
How do I look in this dress?
It can be about how someone feels—about their state of health or happiness.
Come stai? How are you?
Sto bene (I’m good, I’m fine, I’m well, cured, healed).
Sta male. (He/she is ill, distraught, overtired, etc.)
Stare is often used in command forms that translate as “to be.”
Stai attento. Bene, bravo, bravo!
Be watchful [be careful]. Good, brilliant, brilliant!
Caption 36, Il Commissario Manara - S1EP2 - Vendemmia tardiva - Part 6
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Lara, io... -Stai zitta, non dire niente.
Lara, I... -Be quiet, don't say a thing.
Caption 1, Il Commissario Manara - S1EP4 - Le Lettere Di Leopardi - Part 13
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We use stare for other commands like:
Stai tranquillo (be in a state of tranquillity [don’t worry])
Stai fermo (be still)
Stai qui (stay here)
We also use stare to construct the presente progressivo (present continuous/progressive) in Italian. We conjugate the verb stare and follow it with the gerundio (gerund) of the verb of our choosing.
Stiamo cercando di risalire al proprietario
We're trying to trace the owner
attraverso il numero del telaio.
through the chassis serial number.
Caption 50, Il Commissario Manara - S1EP2 - Vendemmia tardiva - Part 7
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'Sto [questo] posto mi sta distruggendo.
This place is destroying me.
Caption 6, Il Commissario Manara - S1EP2 - Vendemmia tardiva - Part 7
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Although Italian tenses don’t always correspond to English ones as we would expect, the present progressive is an important tense in Italian. Marika explains it here.
Practice:
Stare is an ever-present, very important verb to be familiar with. When you get up in the morning, think about how you feel, how you look, what you’re doing at the moment, and what you are about to do. You can use stare for all these considerations. Here’s an example to get you started.
Ho dormito bene, quindi sto abbastanza bene, ma di sicuro non sto bene con i capelli così in disordine. Sto pensando alla mia colazione. Sto per mangiare gli ultimi biscotti, quindi ne dovrò comprare degli altri. Tutti questi biscotti mi stanno facendo ingrassare.
I slept well, so I feel all right, but for sure I don’t look good with my hair so messy. I’m thinking about my breakfast. I’m about to eat up the last cookies, so I will have to buy more of them. All these cookies are making me gain weight.
Parecchio, molto
No, papà è che c'ho parecchio lavoro da fare,
No, Dad, it's that I have quite a lot of work to do;
sono un po' sotto pressione.
I'm under a bit of pressure.
Caption 17, Il Commissario Manara - S1EP11 - Beato tra le donne
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Parecchio might be less familiar to you than molto.
Ho molto lavoro (I have a lot of work).
Like molto, parecchio is used as an adjective and in this case has different endings depending on whether it modifies a masculine or feminine noun and depending on whether it’s plural or singular.
Il lavoro is masculine, so it’s parecchio lavoro or molto lavoro.
Ci sono parecchie cose strane.
There are a lot of strange things.
Caption 72, Il Commissario Manara - S1EP1 - Un delitto perfetto
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La cosa is feminine and it’s plural, so we say parecchie cose or molte cose.
But like molto, parecchio is also an adverb. In the following example, parecchio could easily replace molto.
Mi piace molto il posto e poi ho ritrovato vecchi amici
I like the place a lot and then I met up with old friends
e la zia è deliziosa come sempre.
and Aunt is charming as always.
Captions 13-14, Il Commissario Manara - S1EP11 - Beato tra le donne
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Un sacco
Un sacco is quite colloquial, as is “bunch!” Sacco translates as “bag,” or “sack," so imagine a big bag of something!
Non fare questa faccia, vedrai che ti farai un sacco di amici.
Don't make that face. You'll see that you'll make a bunch of friends.
Caption 10, La Tempesta - film
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Guarda che ti faranno un sacco di domande, eh.
Look, they will ask you a bunch of questions, huh.
Caption 46, Provaci ancora prof! - S2EP2 Una mina vagante
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Eh, ma cosa potrà mangiare questo povero bambino?
Yeah, but what can this poor child eat?
E un sacco di cose... polenta, -Riso. -riso.
A bunch of things... cornmeal, -Rice. -rice.
Captions 5-6, Un medico in famiglia Stagione - 3 S3EP3 - Il tarlo del sospetto
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We might also translate un sacco here as "plenty."
Tanto
Tanto is another word for a lot. Like the other words above, it can be used as an adjective:
E... insomma, dopo un tempo che in quel momento
And... in short, after a time, which in that moment
non sapevo stimare se era tanto o poco.
I couldn't assess whether it was a lot or a little.
Captions 54-55, Anna presenta - Il mio parto
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Certo che firmo per la barella, non avevo tanta scelta.
Of course I'll sign for a gurney. I didn't have much choice.
Caption 33, Anna presenta - Il mio parto
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Tanto can be used as an adverb as well.
Non andavo tanto veloce, ma mi hanno fatto la multa.
I wasn’t going very fast, but they gave me a ticket.
It’s always good to know several different ways to say something. Variety is the spice of life!
Daniela has taken us through different kinds of verbs and how they interact with verbs in the infinitive.
Here’s a quick overview so you can get up to speed.
She started out by explaining modal verbs and other verbs that work like modal verbs. These verbs don’t need any preposition between the conjugated (modal) verb and the verb in the infinitive. See: Corso di italiano con Daniela - Verbo + Verbo all'infinito and following. Here’s an example.
Non posso andare al cinema stasera. Devo studiare.
I can’t go to the movies tonight. I have to study.
She then gave us some examples of verbs that take the preposition di (of) between the conjugated verb and the verb in the infinitive. See Corso di italiano con Daniela - Verbo + Verbo all'infinito +preposizione “di”
Ho deciso di andare al cinema da sola. Ho dimenticato di ritirare dei soldi al bancomat.
I decided to go to the movies alone. I forgot to get some money at the ATM machine.
In her most recent lessons, she has talked about verbs that take the preposition a (to) between the conjugated verb and the verb in the infinitive. See Corso di italiano con Daniela - Verbo + verbo all'infinito + preposizione “a”
Se non ho gli occhiali, non riesco a leggere.
If I don't have glasses I can't manage to read.
Caption 19, Corso di italiano con Daniela - Verbo + verbo all'infinito + preposizione A
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Daniela talks about several verbs in this context but let’s take a closer look at the verb riuscire because, although commonly used in Italian, it can be tricky to translate and has some important nuances.
Riuscire means “to succeed.” In the following example, it makes sense to us.
Sono riuscito a convincerlo della mia innocenza.
I succeeded in convincing him of my innocence.
But Daniela’s example above would sound a bit stilted with the verb “to succeed”:
If I don't have my glasses on, I don't succeed in reading.
In English, we would likely use the modal verb “to be able” or “to manage.”
I can’t read without my glasses.
I’m unable to read without my glasses.
I can’t manage to read without my glasses.
Remember this saying when thinking about the verb riuscire: “If at first you don’t succeed, try, try again.”
Non riesco (I can’t) implies that I am trying, but I’m not succeeding. Non posso (I can’t) on the other hand, could mean any number of things having to do with permission, ability, money, etc. So riuscire (to succeed) is a bit more specific than potere (to be able to).
Riesci a inquadrarla? -Sì.
Are you able to get a shot of it? -Yes.
Caption 22, Anna e Marika - Hostaria Antica Roma
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You could use the verb “to succeed” here, but it would sound a bit odd in conversation.
Are you succeeding in getting a shot of it?
Will you succeed in getting a shot of it?
Here’s another example:
...e poi, quando riuscivamo [ad] avere
...and then, when we succeeded in having
due lire,
two liras [a couple of dollars],
Caption 13, L'arte della cucina - La Prima Identitá
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We could also say, “when we were able to get a hold of two liras...” or “when we managed to get a hold of two liras...”
In the negative, riuscire can be used for saying “I give up.”
Non ci riesco (I am not succeeding in it/I can’t manage it).
The ci here refers to “in it,” or “at it.”
But using riuscire in the negative implies that you gave something a try. If you say non posso, we don't know anything about why you can't. Your mother won’t let you? You don’t know how? It’s against your religion? Riuscire, on the other hand, implies you are willing, but unable.
Riuscire is one of those verbs you might not use immediately while learning Italian because it’s easier to use potere (to be able to). Understanding how Italians use riuscire is handy, however, and once you are accustomed to hearing and reading it, you will probably start using it, too!
Marika uses riuscire in her presentation of Yabla. Her advice is sound!
Se invece non ci riesci, non ti preoccupare, ti devi solo allenare.
If you don't succeed, don't worry, you just need to practice.
Caption 36, Yabla-Intro - Marika
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This lesson looks at some colloquial expressions from the last segment of Stai lontana da me, a romantic comedy.
When asking for confirmation of what you have said, here’s one way:
Dico bene, tesoro?
Am I saying it well [am I right/am I telling like it is], dear?
Caption 31, Stai lontana da me - Rai Cinema
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The prefix ri is similar to “re” in English: it's used to repeat something:
No, hai ridetto Monica.
No, you re-said "Monica" [you said "Monica" again].
Caption 50, Stai lontana da me - Rai Cinema
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Niente di niente is colloquial but used quite a bit in everyday speech. In fact, there are two instances in this segment. We can translate it colloquially: “no nothing,” or, in correct English: “nothing at all.”
E, in due anni, zero litigate.
And in two years, no fights.
-Niente di niente, è un vero paradiso.
-No nothing, it's true paradise.
Caption 55, Stai lontana da me - Rai Cinema
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E poi a Sara non è successo più un incidente.
And then Sara hasn't had any more accidents.
-No, no, niente di niente.
-No, no, nothing at all.
Caption 70, Stai lontana da me - Rai Cinema
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Stra is a prefix meaning “extra” or “over.” It’s used quite a bit to mean “super” or “mega” in colloquial speech, although there are more mainstream words with this prefix, such as stravecchio (very mature or old), stracotto (as an adjective, “very well-cooked”; as a noun, “meat stewed a long time”), stravedere (to think the world of), straviziare (to overindulge).
Jacopo’s client used very colloquial speech:
...Cioè perché stra-pesante, cioè una noia totale.
...That is, because super heavy duty, that is, a total bore.
Caption 57, Stai lontana da me - Rai Cinema
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His use of cioè (that is) is very close in meaning to "I mean," in English, which some people sprinkle throughout their speech. Ciò is one of those words that in the beginning was two separate ones: ciò (this that) and è (is).
Quasi quasi literally means “almost almost.”
Quasi quasi non ci lasciavamo.
We almost didn't break up.
-Ciccì, cicciò, due palle, dottore.
-All that lovey-dovey, what a downer, Doctor,
A noi ci piaceva litigare.
we liked fighting.
Captions 58-59, Stai lontana da me - Rai Cinema
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Some alternative translations:
We were seriously thinking of not breaking up.
We were of a mind not to break up.
Here’s an expression to justify asking someone a question. Most Italians know this expression or saying, and some use it automatically. In English, we might say, “There’s no harm in asking.”
E poi domandare è lecito e rispondere è cortesia.
Besides, asking is allowed and answering is polite.
Caption 64, Stai lontana da me - Rai Cinema
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Object pronouns can be very tricky to use because there isn’t just one way to construct a phrase. Especially when dealing with modal verbs, which go hand in hand with infinitives, the object pronoun can go either before the conjugated verb or after the infinitive. The trick is that, as we shall see, the pronoun actually gets attached to the infinitive, which loses its final e.
Let's look at an example.
Here, the object pronoun comes just before the conjugated verb volere, which is modal.
Possiamo dire: ho comprato un'auto nuova. La vuoi vedere?
We can say, "I bought a new car. Do you want to see it?"
Captions 58-60, Marika spiega - I pronomi diretti
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Here, on the other hand, the object pronoun not only follows the infinitive, it's attached to it. In order to attach it, the final e of the infinitive vedere is omitted.
Oppure: ho comprato un'auto nuova. Vuoi vederla?
Or else, "I bought a new car. Do you want to see it?"
Captions 61-62, Marika spiega - I pronomi diretti
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Practice:
There are several pieces of dialogue in a recent episode of Commisario Manara that lend themselves to having their word order changed as explained above. Why not give it a try, and consult the solutions at the bottom of the page to check your answers. If this is new to you, then go right to the solutions, and see how they differ from the examples.
First, find the elements: the conjugated verb (likely modal), the infinitive verb, and the object pronoun. The next step is to rephrase the sentence, changing the position of the pronoun.
1)
Eh, me lo potevi dire anche domani in ufficio, no?
Uh, you could have told me that at the office tomorrow, couldn't you?
Caption 5, Il Commissario Manara - S1EP11 - Beato tra le donne
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2)
Hai detto delle cose bellissime. Non scordarle. Funzionano.
You said some very beautiful things. Don't forget them. They work.
Captions 27-28, Il Commissario Manara - S1EP11 - Beato tra le donne
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3)
Però non voglio, io non voglio perderti.
However, I don't want, I don't want to lose you.
Caption 11, Il Commissario Manara - S1EP11 - Beato tra le donne
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4/5)
Lasciami lavorare.
Let me work on it.
Appena ho i risultati, te li vengo a riferire.
As soon as I have the results, I'll come to report them to you.
Caption 22, Il Commissario Manara - S1EP11 - Beato tra le donne
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6)
Va be', buona notte e scusami tanto per prima, eh.
All right, good night, and sorry for before.
-Non devi scusarti.
-You don't have to apologize.
Captions 25-26, Il Commissario Manara - S1EP11 - Beato tra le donne
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7/8)
E di che cosa mi volevi parlare?
And what did you want to talk to me about?
Ti volevo parlare di una situazione finanziaria.
I wanted to talk to you about a financial situation.
Captions 36-37, Il Commissario Manara - S1EP11 - Beato tra le donne
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Here are the examples and their solutions, for a quick comparison.
1)
Eh, me lo potevi dire anche domani in ufficio, no?
Eh, potevi dirmelo anche domani in ufficio, no?2)
Hai detto delle cose bellissime. Non scordarle. Funzionano.
Hai detto delle cose bellissime. Non le scordare. Funzionano.3)
Però non voglio, io non voglio perderti.
Però non voglio, io non ti voglio perdere.4)
Lasciami lavorare.
Mi lasci lavorare?5)
Lasciami lavorare. Appena ho i risultati, te li vengo a riferire.
Lasciami lavorare. Appena ho i risultati, vengo a riferirteli.6)
Va be', buona notte e scusami tanto per prima, eh. -Non devi scusarti.
Va be', buona notte e scusami tanto per prima, eh. -Non ti devi scusare.7)
E di che cosa mi volevi parlare?
E di che cosa volevi parlarmi?8)
Ti volevo parlare di una situazione finanziaria.
Volevo parlarti di una situazione finanziaria.
Don't forget to read the examples out loud to see how they feel!
As you follow this and other videos, and as you start speaking in Italian, hopefully, you'll start to feel comfortable with these different word order options.You’ll start noticing these constructions in most videos you look at.
Sapere sapere sapere. We keep coming back to the same verbs, but there’s always something more to learn!
We have already covered the verb sapere (to know, to know how to, to have the flavor/smell of) in previous lessons. But this week, Daniela talks about sapere once again. This time she discusses the most common meaning of sapere: to have knowledge of something. She explains how to use sapere in this sense, when followed by a verb in the infinitive rather than by a noun.
She explains about using the preposition di between conjugated sapere and the verb in the infinitive:
Allora diciamo: sappiamo di essere i più forti. I più forti.
So we say, "We know we're the strongest. The strongest."
Captions 23-24, Corso di italiano con Daniela - Verbo + Verbo all'infinito + preposizione DI
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So di essere in ritardo.
I know I am late. (Or, I know that I’m late.)
The preposition di is generally translated as "of," but the trick here is that in English we don’t use the preposition “of” in this kind of situation. We either use “that,” as in “I know that I am late,” or we don’t use any preposition at all, as in “I know I am late.” All in all, sapere plus di plus infinitive is a construction that is difficult to match up in English, so we just have to assimilate it as best we can.
Let’s look at some more examples of sapere plus di, so you can get a feel for it.
Uno stupido non sa di essere stupido (an idiot doesn’t know he’s stupid).
Sappiamo di doverti delle scuse (we know we owe you an apology).
Sai di essere l’unica persona in grado di risolvere il problema (do you know you are the only person able to solve the problem)?
Sapete di camminare in mezzo alla strada (do you know you are walking in the middle of the road)?
Sanno di infrangere la legge, ma non gli importa niente (they know they are breaking the law, but they don’t care).
Leonardo sa di essere stato scorretto con me (Leonardo knows he has not been fair with me).
One of the other ways sapere gets used is to mean “to know how to.” Daniela has explained this in another video lesson:
Per esempio, io posso dire: Luca sa nuotare.
For example, I may say, "Luca knows how to swim."
Caption 19, Corso di italiano con Daniela - Verbo + Verbo all'infinito
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Here are some additional examples of this meaning. It should be mentioned that in this case, sapere acts like a modal verb, such as “can,” “must,” “may,” etc. Remember that with modal verbs, there is no preposition before the infinitive.
Non so parlare spagnolo (I don’t know how to speak Spanish).
Roberto non sa cucinare (Roberto doesn’t know how to cook).
Non sapete leggere fra le righe (you don’t know how to read between the lines).
I miei genitori non sanno ballare (my parents don’t know how to dance).
And let’s not forget that we can also use sapere before a noun.
Sai l’ora (do you know the time)?
So quello che dico (I know what I’m saying).
So l’inglese (I know English).
Di quella canzone, Gianna non sa abbastanza bene le parole (Gianna doesn’t know the words to that song well enough).
In a classroom lesson, Daniela talks about the fact that the verb ricordare (to remember) takes the preposition di. In an episode of Stai lontana da me, there is a scene where the verb ricordare appears a number of times. Let’s take a closer look.
In the following example, Simona is using the verb ricordare reflexively: ricordarsi (to remember). But she is using it generally, in that there is no direct object at all. She’s just saying, “You don’t remember, do you?”
È incredibile, sono passati trent'anni e sei identico.
It's incredible, thirty years have passed and you are the same.
-Identico a chi?
-The same as who?
-Sono Simona, non ti ricordi, eh?
-I'm Simona, you don't remember, do you?
Captions 17-19, Stai lontana da me - Rai Cinema
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But then, as they keep talking, we start hearing some direct object pronouns as well.
Ma figurati, ma io manco me la ricordo 'sta maledizione.
But are you kidding? But I don't even remember this curse.
Caption 29, Stai lontana da me - Rai Cinema
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Of course in English, we don’t normally include the direct object pronoun together with the direct object noun but this is very common in Italian.
'Sta maledizione (this curse) is the actual direct object of the above example and the one below.
Ma come non te la ricordi?
But how can you not remember it?
-Ma non me la ricordo, era alle elementari, Jacopo.
-But I don't remember it, it was at elementary school, Jacopo.
-Eh!
-Yeah.
Caption 30, Stai lontana da me - Rai Cinema
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In the following example, just the indirect object pronoun (mi in this case) is used because what was remembered (the fact of being sweethearts) is then explained in a separate clause.
Eh, mi ricordo che eravamo fidanzatini, poi, non so, è successo qualcosa e...
Uh, I remember we were sweethearts and then something happened and...
Caption 31, Stai lontana da me - Rai Cinema
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So when we don’t need to be specific, mi ricordo or non mi ricordo (I remember/I don’t remember) will do.
When there is no direct pronoun, just an indirect pronoun, we can ask the question:
Ti ricordi?
Do you remember?
But when we specify what is being remembered, we either insert a direct object noun:
Ti ricordi quel viaggio...?
Do you remember that trip...?
Or a verbal phrase:
Ti ricordi di aver fatto quel viaggio nel settantanove?
Do you remember having made that trip in seventy-nine?
Attenzione! This is when we need di, as Daniela has explained in a video lesson! Ricordare is a verb that takes the preposition di when followed by a verb in the infinitive, whether or not it is reflexive.
We can also insert a direct object pronoun. Attenzione! This causes a shift. In this case, the indirect pronoun changes from an i ending to an e ending. The direct pronoun will be lo (it), la (it), li (them), or le (them): In this particular case the object is viaggio (trip), a masculine noun.
Te lo ricordi?
Do you remember it?
Me lo ricordo
I remember it.
Se lo ricordano.
They remember it.
You can practice forming sentences with only an indirect pronoun. Then add a direct object pronoun corresponding to a noun you are thinking of, and make the shift, as above.
In Italian, “to remember” and “to forget” go well together: Ricordare/dimenticare
Ricordare may be easy to remember if we think of making a mental record of something.
Dimenticare, if you take it apart, is kind of a fun word. Di, just like “dis” in English, often undoes something. Mente is the Italian word for mind. You undo something from your mind!
Duemilaseidici è stato un anno da ricordare o da dimenticare?
Was two thousand sixteen a year to remember, or a year to forget?
Think of things you want to remember or forget from last year:
Vorrei ricordare un bellissimo viaggio in Italia.
I would like to remember a great trip to Italy.
Vorrei dimenticare quanti soldi ho dovuto spendere
I would like to forget how much money I had to spend.
In the above examples, we have treated ricordare and dimenticare as ordinary transitive verbs. They are followed by a noun. This is the most basic way to use these verbs. But ricordare and dimenticare are, more often than not, used reflexively.
Ricordati (remember)!! When a verb is reflexive, the subject and object of the verb are one and the same:
Mi sono tagliato (I cut myself).
For more about reflexive verbs see this lesson and this video.
In the following example, ricordare is used reflexively, and is followed by a noun, not a verb.
Daniela, tu per caso ti ricordi i nomi
Daniela, do you, by chance, remember the names
degli altri colli di Roma?
of the other hills of Rome?
Caption 6, Marika e Daniela - Il Foro Romano
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Ricordiamoci (let’s remember) that when a verb, not a noun, follows a verb in this category, we need the preposition di in between, as in the following example. You may notice that the verb decidere (to decide) behaves the same way!
Il tuo amico ha deciso di portarti in giro con il suo scooter,
Your friend has decided to take you around on his scooter,
ma non ha dimenticato di prestarti un casco.
but he hasn't forgotten to lend you a helmet.
Captions 7-8, Marika spiega - I veicoli
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The above example could be modified a few ways to say the same thing. We could use the reflexive:
Il tuo amico si è deciso di portarti in giro con il suo scooter,
Your friend has decided to take you around on his scooter,
ma non si è dimenticato di prestarti un casco.
but hasn't forgotten to lend you a helmet.
You will notice that as soon as we use the reflexive form, we need the auxiliary verb essere (to be) rather than avere (to have) in the compound tenses. This can be tricky indeed!
We could also use the verb ricordare:
Il tuo amico si è deciso di portarti in giro con il suo scooter,
Your friend has decided to take you around on his scooter,
e si è ricordato di prestarti un casco.
and has remembered to lend you a helmet.
However we decide to use ricordare and dimenticare (and decidere, for that matter), we need di before the verb in the infinitive.
Ah, mi sono dimenticato di dirti che...
Oh, I forgot to tell you that...
Caption 25, Francesca - alla guida
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We had mentioned in a recent lesson that we would come back to ci. Well, it just so happens that Marika talks about ci in a recent video lesson.
To start off, she explains how ci is used to express place so that you don’t have to keep repeating the place in subsequent sentences if it has already been mentioned once. It’s a pronoun in this sense, and includes the preposition and the object of the preposition. So we’re talking about an indirect pronoun.
She uses some examples that give a fairly clear idea of how to use ci in this sense. What can be tricky is that in English, we can leave more elements out of the sentence than in Italian.
There is one example she gives:
Vieni a fare la spesa con me?
Are you coming food shopping with me?
Sì, ci vengo. Grazie.
Yes, I'm coming. Thanks.
Captions 29-30, Marika spiega - La particella CI
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In this case, it’s hard to find any kind of indirect object that represents “to do the shopping with me.” In English, we just say, “Yes, I’m coming.” We could say, “Yes, I’m coming with you,” but that leaves out the shopping.
So when we are thinking about how to say something in Italian, and we are translating from English, it’s tricky to remember this little particle ci. It gets used so often, and it gets used in situations in which we as English speakers would not bother. Fortunately much of the time we can be understood in Italian even if we don’t use these words. It can take years to make ci a natural part of speech for a non-native speaker.
Here are a few more examples:
Dovevo andare al lavoro oggi, ma non ci vado.
I was supposed to go to work today, but I’m not going there.
In English we would just say, “but I’m not going.” And that is what takes getting used to in Italian!
Mia madre sta bene in questa casa, ma io ci sto male.
My mother is happy in this house, but I am not happy here.
Ho chiesto un aumento,ma non ci conto.
I asked for a raise, but I’m not counting on it.
As Marika tells us more about ci, we'll have more examples for you. So stay tuned!
Cercare, tentare, provare: All three of these verbs have multiple meanings, but they are also all synonyms meaning “to try.” There are nuances in their meanings that lead us to choose one over the other in a given situation, but that will get easier over time.
This week Daniela explains about using the verb cercare with infinitives when it means “to try.” Cercare takes the preposition di (to) before a verb in the infinitive.
Cerco di aprire la bottiglia.
I try to open the bottle.
Caption 62, Corso di italiano con Daniela - Verbo + Verbo all'infinito + preposizione DI
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We could use the verb tentare to mean much the same thing. It also takes the preposition di when used with a second verb in the infinitive.
Ho tentato di aprire la bottiglia, ma ...
I tried to open the bottle, but...
A helpful cognate for this verb is “to attempt.”
I attempted to open the bottle...
We can say something similar with the verb provare. Attenzione! Provare takes the preposition a. Daniela will soon be talking about this preposition. When she does, you’ll be ready!
Ho provato ad aprire la bottiglia.
I tried to open the bottle.
All three of these verbs have additional meanings.
Daniela told us about cercare. You use it when you’re searching for something.
Ho cercato il libro, ma non l’ho trovato.
I looked for the book but I didn’t find it.
Tentare has an additional meaning, “to tempt.“
Non mi tentare con quel dolce. Sono a dieta.
Don’t tempt me with that dessert. I’m on a diet.
There’s a noun form, too: una tentazione (a temptation).
Provare has an English cognate “to prove,” which is a synonym for dimostrare (to demonstrate).
Non ha rubato le scarpe, ma non lo può provare.
He didn't steal the shoes, but he can't prove it.
The noun form is la prova (the proof, the evidence).
e quindi tutte le prove sono a carico di Ninetta.
and so all the proof is against Ninetta.
Caption 63, Anna e Marika - in La Gazza Ladra
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But provare also has to do with feelings, and in this case is a synonym for sentire (to feel). In the following example the impersonal si is used.
Ce la fai a dirci che cosa si prova in questo momento?
Can you let us know what you're feeling right now?
È un'emozione grandissima, sono emozionatissima.
It's a very great emotion, I'm very excited.
Captions 8-9, Gioia Marconi - Vado avanti
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It should be mentioned that we use la prova, or le prove, for when we practice music, theater, or dance with others, when we rehearse. This meaning has more to do with provare when it means “to try.”
Dove devi andare?
Where do you have to go?
A fare le prove per il concerto.
To practice for the concert.
Captions 28-29, Milena e Mattia - L'incontro
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Practice:
Try switching verbs among cercare, tentare, and provare. Remember to use the correct preposition! In this exercise we are only dealing with cercare, tentare and provare when they mean "to try."
Tutti i giorni, cerco di arrivare puntuale a scuola (every day, I try to get to school on time).
A volte provo ad andarci in bici, ma arrivo troppo stanco (sometimes I try to go by bike but I arrive tuckered out).
Ho tentato di chiedere un passaggio alla zia, ma lei parte troppo tardi (I tried asking my aunt for a ride, but she leaves too late).
Hai provato a chiamare il dottore (did you try to call the doctor)?
Tenterò di dire qualche parola in inglese (I will try to say a few words in English).
Cerca di parlare un po’ più piano, altrimenti non ti capiscano (try speaking more slowly, otherwise they don’t understand).
Cercherò di darti una risposta entro questa settimana (I will try to give you an answer within the week).
L’ultima volta che ho cercato di cucinare il pesce, è stato un fallimento (the last time I tried cooking fish, it was a failure).
A common contraction we hear every day in Italian is c’è (there is). If we open it up, we find two words:
Ci (there) and è (third person singular of essere [to be]).
When referring to objects in a place, c'è is fairly straightforward, and its English translation “there is” corresponds quite well:
Nel corpo di Giada non c'è traccia di quel sonnifero.
In Giada's body there is no trace of that sleeping medicine.
Caption 50, Il Commissario Manara - S1EP10 - Un morto di troppo - Part 9
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But things aren't always so straightforward. Let’s look at the following example where, to our ears, it might seem like there’s an extraneous “there.” In fact, the literal translation of the Italian would be “there’s the mama.” Let’s not forget that Italian uses ci to mean “there” and “here” interchangeably for the most part.
...vai, vai tranquillo, c'è la mamma!
...go, don't worry, Mommy's here!
-Sì, mamma.
-Yes, Mom.
Captions 22-23, Il Commissario Manara - S1EP4 - Le Lettere Di Leopardi - Part 10
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In the following example, and the previous one, we see that the word order changes between English and Italian. In Italian the ci (there) comes before the conjugated verb “to be,” making the contraction easy, but in English we need to put “there” afterwards:
Sì, ma non c'è nessuno.
Yes, but nobody is there.
È tutto serrato.
It's all locked up.
Captions 9-10, Il Commissario Manara - S1EP1 - Un delitto perfetto - Part 1
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Or, we can put in an extra “there.”
There’s nobody there.
There’s nobody here.
Attenzione! If we want to distinguish between “here” and “there,” then we can use qui and lì.
Il libro non è qui, è lì (the book isn't here; it's there).
Italian uses “there is” to mean “it exists”:
È il minerale più resistente che c'è in natura.
It's the most resistant mineral that exists in nature.
Rilassati Gina.
Relax, Gina.
Captions 17-18, La Ladra - EP. 1 - Le cose cambiano
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But there are also colloquial turns of phrase that use “there is” that don't quite correspond to English. The following example is in the imperfetto or simple past.
C'era Lei di turno tre notti fa? -Sì.
Were you on duty three nights ago? -Yes.
Caption 3, Il Commissario Manara - S1EP10 - Un morto di troppo - Part 10
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When asking for someone on the phone, Italians use c’è. Remember that unlike English, questions and statements in Italian have the same word order, but the inflection changes.
Pronto. -Salve, c’è Susanna?
Hello. -Hello, is Susanna there?
When asking what’s wrong, it’s easy to say:
Che c'è? -Niente.
What's the matter? -Nothing.
Caption 7, Il Commissario Manara - S1EP5 - Il Raggio Verde - Part 5
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In this case, translating literally (what is there?) does not work at all!
Lastly, let’s not forget the popular song by Nek, "Laura non c'è". Note again the fact that ci (here, there) is inserted before the verb “to be.”
Laura non c'è, è andata via
Laura's not here; she's gone away
Caption 1, Nek - Laura non c'è
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We’ll often come back to the word ci in lessons, since it really does get around, and can be tricky. For more about ci, see these lessons.
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