Alberto's friend, Eugenio, is ready to call it quits when it comes to teaching. Alberto is convinced that kids are the future, but even though he made some headway with the kids at the reformatory his first day, there are still huge obstacles.

Manzi isn't getting anywhere with the kids at the reformatory. He talks to the director, and then goes to the Board of Education, too, to complain.

Alberto gets a friend to drive him to where Ida teaches. He recognizes her right away as the kids come out of the school.

Alberto sleeps on the park bench across from Ida's apartment and then goes to work at the prison, where, once again, it's an uphill battle.

Ida reads the letters Alberto had left for her and is clearly moved. She looks out the window at the empty bench...

Alberto Manzi takes an exam, getting a high grade. He takes the opportunity to express his ideas about teaching troubled young people. There's trouble at the reformatory, and Alberto steps in.

Ricotta can't believe his eyes when Manzi comes to take him back to his inmates. The kids are incredulous, too, and Manzi, having gained their respect, can finally begin teaching.

Alberto and the kids at the reformatory all lie down on the ground to see the clouds better. They let their imaginations run wild. Alberto takes Ida and Alda to their new home.

The prison director refuses Alberto's request for writing materials, so he takes matters into his own hands, and learns a thing or two from his pupils, too.

Alberto becomes a hero by bringing his kids some pencils. They start to feel the thrill of simply being able to write their own names.

The kids have gotten to the point where they can write much more than their own names. But what then? Alberto comes up with a wonderful idea.

Manzi's pencil ruse gets found out and he is called into the director's office.

The director of the reformatory has done a bit of thinking and comes to see the boys, a rare occurence. Manzi, with his proverbial foot in the door, keeps trying to push it open even wider. There is news on the home front, too.

The reformatory director is clearly affected by what his inmates have written. Meanwhile, the magazine takes shape, involving getting it typed, collated, and stapled.

Alberto goes out on a limb with a pretty amazing surprise for his pupils. Ida is quite concerned, but Alberto is adamant.