Renzo made dinner tonight, and thinks he's created an oasis of pleasure. Uh-oh — that reminds Eva of the business card she had found in Mazzeo's locker.

Nora is having trouble forgetting what Ugo did to her but gets down to work, or tries to. Uno comes back.

Falling in love doesn't follow scientific rules. Silvana and Luciano tell us about how they met and their plans, now that they are of a certain age.

Luca and Marta finish their conversation but get interrupted. Later, Luca looks after Alice so that Toscani and Sardi can have an evening out. While he is there he makes a phone call.

Samuele Bersani relives the past when he was still a pre-teen, starting to have secret thoughts. The video contains plenty of illustrations of the words he is singing.

Gaetano's investigation takes him to the school where Camilla and Vanda teach. Camilla, taking her cue from something Gaetano brings up, can't help doing a bit of investigating on her own.

Nora and Ugo are living in close quarters, and there is a list of eight rules nailed to the back of the door that they are already arguing about.

How good of a painter was the victim? Not all the people who knew him have the same opinion. Luca and Toscani go to see the picture framer and learn a few things.

Bettina and Gaetano are supposed to go to the movies together, but Camilla shows up and Gaetano chooses work over fun. At school, everyone is rejoicing at the news that Mazzeo is on leave of absence.

Aunt Clo shows Ugo and Nora around the shop and house and leaves after giving them a few rules to follow. They run off to the attorney to make sure they can go ahead with their separation.

Ferzan Özpetek directed this video of images from his movie La Dea Fortuna, for which the song "Luna Diamante" (diamond moon) is part of the soundtrack. The song was written by Ivano Fossati and sung by Mina.

Both the victim's wife and his lover are questioned at the same time, one by Luca, and one by Marta. Each has a very different memory of what Fello was like.

Franco shows us some infused salts that we would never think of off hand. His descriptions are colorful and make us want to try out these delicacies.

Two geniuses left their indelible marks on civilization: Leonardo with the Last Supper and Michelangelo with his David.

Kids have livelier imaginations than adults sometimes, and in fact, Livietta can see something in Mazzeo's aunt's drawing that Camilla totally misses.

Neither Ugo nor Nora has any desire to take Aunt Clo up on her offer, but then reality kicks in.

The autopsy report comes, and Manara goes to talk to the victim's widow. Marta goes to talk to his lover. Marta gets a phone call, and her colleagues realize, with surprise, who her father is.

There are various interpretations of this famous song sung by Mina. What or whom does il corvo (the crow) represent? A judge? A priest? An agent? Whoever is seen as an ugly black crow has the power but lacks wisdom.

Gaetano is pretty sure Camilla knows more than she lets on, and gently gives her a warning. But she can't help herself, and travels once again to Mazzeo's aunt's house.

The exasperated lawyer comes up with a plan for the dog who happens to be named Uno (one). As they are taking care of this, they each get a phone call and have to hurry off.

The poignant text of this song was inspired by the singer-songwriter's experience as a volunteer in a mental institution in Rome and meant to create awareness of the reality of mental illness. It is sung from the point of view of someone who had been deemed insane and shut into a manicomio (insane asylum) for most of his life.

The investigation begins. Manara and Rivera go to see the victim's wife, while Toscani calls a tow truck. Then all hell breaks loose in a house nearby, where there's been a gas leak.

This fascinating segment is all about salt: Our spice journey takes us to Sicily, where much of Italy's salt is harvested. Franco talks about how salt is life, salt is gold.

We look at Leonardo's Last Supper from close up — the details, the symbolism — but also from the refectory floor, seeing how Leonardo's genius made the fresco part of the room itself.